|
|
Performer: Sylvia McNair COME RAIN OR COME SHINE- THE HAROLD ARLEN SONGBOOK: Over the Rainbow. Stormy Weather. Between the Devil and the Deep Blue Sea. It Was Written in the Stars. As Long as I Live. That Old Black Magic. The Morning After. A Sleepin' Bee. Ac-cent-tchu-ate the Positive. Goose, Never Be a Peacock. I Wonder What Became of Me. It's Only a Paper Moon. Two Ladies in the Shade of the Banana Tree. Cocoanut Sweet. Right as the Rain. I've Got the World on a String. Come Rain or Come Shine. This Time the Dream's on Me. Let's Take a Walk Around the Block. Last Night When We Were Young (Review by Raymond Tuttle) | vocals | HAYDN; Die Schöpfung, Hob. XXI;2: (Review by James H. North) | Gabriel | HAYDN; Die Schöpfung, Hob. XXI;2: (Review by James H. North) | soprano | LA MARSEILLAISE AND OTHER BERLIOZ FAVORITES: (Review by Adrian Corleonis) | soprano | BACH, JOHANN SEBASTIAN: Cantatas Christen ätzet diesen Tag, BWV 63, Sie werden aus Saba alle kommen, BWV 65. Mass in B minor, BWV 232 (Review by George Chien) | soprano | BACH, JOHANN SEBASTIAN: Mass in B Minor, BWV232 (Review by Ralph V. Lucano) | soprano | BARBER, SAMUEL: Overture to “The School for Scandal. “ Adagio for Strings. Essays for Orchestra (Review by Walter Simmons) | soprano | BARROSO: Faceira (Review by Robert Schulslaper) | voice | BARROSO: Faceira (Review by Lynn René Bayley) | voice | BARROSO: Faceira (Review by Henry Fogel) | voice | BARROSO: Faceira (Review by Raymond Tuttle) | voice | BEETHOVEN, LUDWIG VAN: Consecration of the House Overture, op. 124 (Review by Benjamin Pernick) | soprano | BEETHOVEN, LUDWIG VAN: Missa Solemnis in D, Op. 123 (Review by Elliott Kaback) | soprano | BEETHOVEN, LUDWIG VAN: Symphony No. 5 in C Minor, op. 67. Egmont (Review by Mortimer H. Frank) | soprano | BEETHOVEN, LUDWIG VAN: Symphony No. 9 in D Minor, op. 125 (“Choral“) (Review by Ronnie Yip) | soprano | BEETHOVEN, LUDWIG VAN: Symphony No. 9 (Review by Peter J. Rabinowitz) | soprano | BEETHOVEN, LUDWIG VAN: The Consecration of the House (Review by James H. North) | soprano | BELTRÁN: Sway (Review by Robert Schulslaper) | voice | BELTRÁN: Sway (Review by Lynn René Bayley) | voice | BELTRÁN: Sway (Review by Henry Fogel) | voice | BELTRÁN: Sway (Review by Raymond Tuttle) | voice | BERLIOZ: Béatrice et Benedict (Review by Adrian Corleonis) | Héro | BERLIOZ: Béatrice et Benedict (Review by Adrian Corleonis) | soprano | BIZET: La Coccinelle. Adieux de l'hôtesse arabe. Pastel. Vous ne priez pas (Review by Joel Kasow) | soprano | BRAHMS, JOHANNES: Ein deutsches Requiem, op. 45 (Review by Ralph V. Lucano) | soprano | BRITTEN: A Midsummer Night's Dream, op. 64 (Review by Marc Mandel) | soprano | BRITTEN: A Midsummer Night's Dream, op. 64 (Review by Marc Mandel) | Tytania | BRITTEN: Les Illuminations (Review by James Miller) | soprano | DEBUSSY: Ariettes oubliées (Review by Joel Kasow) | soprano | DEBUSSY: La Damoiselle élue (Review by James Miller) | soprano | DEBUSSY: Le Martyre de Saint Sebastien (Review by James Miller) | soprano | DOMINQUEZ: Perfidia (Review by Robert Schulslaper) | voice | DOMINQUEZ: Perfidia (Review by Lynn René Bayley) | voice | DOMINQUEZ: Perfidia (Review by Henry Fogel) | voice | DOMINQUEZ: Perfidia (Review by Raymond Tuttle) | voice | FARRÉS: Quizás, quizás, quizás (Review by Robert Schulslaper) | voice | FARRÉS: Quizás, quizás, quizás (Review by Lynn René Bayley) | voice | FARRÉS: Quizás, quizás, quizás (Review by Henry Fogel) | voice | FARRÉS: Quizás, quizás, quizás (Review by Raymond Tuttle) | voice | FAURÉ, GABRIEL: Requiem, op. 48. Pavane, op. 50 (Review by Adrian Corleonis) | soprano | FAURÉ, GABRIEL: Requiem. Pelléas et Mélisande (Review by Adrian Corleonis) | soprano | FAURÉ, GABRIEL: Rêve d'amour, op. 5, no. 2. Au bord de l'eau, op. 8, no. 1. Notre amour, op. 23, no. 2 (Review by Joel Kasow) | soprano | GERSHWIN: Songs (Review by Raymond Tuttle) | soprano | GLUCK: Orfeo ed Euridice (Vienna version of 1762) (Review by James Camner) | Euridice | GLUCK: Orfeo ed Euridice (Vienna version of 1762) (Review by James Camner) | soprano | GLUCK: Orfeo ed Euridice (Review by John Story) | Euridice | GRIEG, EDVARD: Peer Gynt (Review by George Chien) | Anitra | GRIEG, EDVARD: Peer Gynt (Review by George Chien) | Solveig | GRIEG, EDVARD: Peer Gynt (Review by George Chien) | soprano | GRIEG, EDVARD: Prelude At the Wedding. The Abduction of the Bride/Ingrid's Lament. Peer Gynt and the Dairymaids. In the Hall of the Mountain King. Dance of the Mountain King's Daughter. the Death of Ase. Morning Mood. Arabian Dance. Anitra's Dance. Peer Gynt's Serenade. Solveig's Song. Peer Gynt at the Statue of Memnon. Peer Gynt's Homecoming/Stormy Evening on the Sea. Solveig Sings in the Hut. Night Scene. Whitsun Hymn (Review by George Chien) | Anitra | GRIEG, EDVARD: Prelude At the Wedding. The Abduction of the Bride/Ingrid's Lament. Peer Gynt and the Dairymaids. In the Hall of the Mountain King. Dance of the Mountain King's Daughter. the Death of Ase. Morning Mood. Arabian Dance. Anitra's Dance. Peer Gynt's Serenade. Solveig's Song. Peer Gynt at the Statue of Memnon. Peer Gynt's Homecoming/Stormy Evening on the Sea. Solveig Sings in the Hut. Night Scene. Whitsun Hymn (Review by George Chien) | Solveig | GRIEG, EDVARD: Prelude At the Wedding. The Abduction of the Bride/Ingrid's Lament. Peer Gynt and the Dairymaids. In the Hall of the Mountain King. Dance of the Mountain King's Daughter. the Death of Ase. Morning Mood. Arabian Dance. Anitra's Dance. Peer Gynt's Serenade. Solveig's Song. Peer Gynt at the Statue of Memnon. Peer Gynt's Homecoming/Stormy Evening on the Sea. Solveig Sings in the Hut. Night Scene. Whitsun Hymn (Review by George Chien) | soprano | HANDEL, GEORGE FRIDERIC: Messiah (Review by John Bauman) | soprano | HANDEL, GEORGE FRIDERIC: Messiah (Review by John Bauman) | soprano | HANDEL, GEORGE FRIDERIC: S/7efe venti, HWV 242. Laudate pueri Dominum, HWV 237 (Review by Ralph V. Lucano) | soprano | HANDEL, GEORGE FRIDERIC: Semele (Review by Ralph V. Lucano) | Iris | HANDEL, GEORGE FRIDERIC: Semele (Review by James Camner) | Iris | HANDEL, GEORGE FRIDERIC: Semele (Review by James A. Altena) | Iris | HANDEL, GEORGE FRIDERIC: Semele (Review by Ralph V. Lucano) | soprano | HANDEL, GEORGE FRIDERIC: Semele (Review by James Camner) | soprano | HAYDN, FRANZ JOSEPH: Missa in tempore belli, Hob. XXII (Review by James H. North) | soprano | JOBIM, ANTONIO CARLOS: Dindi. Boy from Ipanema. Corcovado. Insensatez. Água de beber (Review by Robert Schulslaper) | voice | JOBIM, ANTONIO CARLOS: Dindi. Boy from Ipanema. Corcovado. Insensatez. Água de beber (Review by Lynn René Bayley) | voice | JOBIM, ANTONIO CARLOS: Dindi. Boy from Ipanema. Corcovado. Insensatez. Água de beber (Review by Henry Fogel) | voice | JOBIM, ANTONIO CARLOS: Dindi. Boy from Ipanema. Corcovado. Insensatez. Água de beber (Review by Raymond Tuttle) | voice | KOECHLIN: Choral sur le nom de Fauré (Review by Adrian Corleonis) | soprano | LARA: Solamente una vez (Review by Robert Schulslaper) | voice | LARA: Solamente una vez (Review by Lynn René Bayley) | voice | LARA: Solamente una vez (Review by Henry Fogel) | voice | LARA: Solamente una vez (Review by Raymond Tuttle) | voice | MAHLER, GUSTAV: Symphonies (Review by Christopher Abbot) | soprano | MAHLER, GUSTAV: Symphony No. 2 in C Minor (“Resurrection“) (Review by Benjamin Pernick) | soprano | MAHLER, GUSTAV: Symphony No. 4 in G (Review by Benjamin Pernick) | soprano | MAHLER, GUSTAV: Symphony No. 8 in Eb (“Symphony of a Thousand“) (Review by Benjamin Pernick) | Magna Peccatrix | MAHLER, GUSTAV: Symphony No. 8 in Eb (“Symphony of a Thousand“) (Review by Benjamin Pernick) | soprano | MENDELSSOHN, FELIX: Symphony No. 4 in A, op. 90 (“Italian“). A Midsummer Night's Dream. Incidental Music, ops. 21 and 61 (Review by James Miller) | soprano | MESSIAEN: Trois Mélodies (Review by Joel Kasow) | soprano | MONTEVERDI: L'incoronazione de Poppea (Review by J. F. Weber) | Poppea | MONTEVERDI: L'incoronazione de Poppea (Review by J. F. Weber) | soprano | MOZART: Exsultate, jubilate, K. 165 (Review by Ralph V. Lucano) | soprano | MOZART: Great Mass in C Minor, K. 427 (Review by J. F. Weber) | soprano | MOZART: Idomeneo, K. 366 (Review by James Camner) | Ilia | MOZART: Idomeneo, K. 366 (Review by James Camner) | soprano | MOZART: La clemenza di Tito, K.621 (Review by James Camner) | Servilia | MOZART: La clemenza di Tito, K.621 (Review by James Camner) | soprano | MOZART: Le nozze di Figaro, K. 492 (Review by Ralph V. Lucano) | soprano | MOZART: Le nozze di Figaro, K. 492 (Review by James Camner) | soprano | MOZART: Le nozze di Figaro, K. 492 (Review by Ralph V. Lucano) | Susanna | MOZART: Le nozze di Figaro, K. 492 (Review by James Camner) | Susanna | MOZART: Mass in C minor, K. 427 (“Great Mass“) (Review by George Chien) | soprano | MOZART: Mass in C minor, K. 427 (Review by Elliott Kaback) | soprano | MOZART: Mass in C, K. 317 (“Coronation“) (Review by James H. North) | soprano | PASCOAL: Chorinho pra ele (Review by Robert Schulslaper) | voice | PASCOAL: Chorinho pra ele (Review by Lynn René Bayley) | voice | PASCOAL: Chorinho pra ele (Review by Henry Fogel) | voice | PASCOAL: Chorinho pra ele (Review by Raymond Tuttle) | voice | PERGOLESI: Stabat Mater (Review by George Chien) | soprano | POULENC, FRANCIS: Bleuet. Banalités (Review by Joel Kasow) | soprano | POULENC, FRANCIS: Gloria (Review by J. F. Weber) | soprano | POULENC, FRANCIS: Gloria. Concerto for Organ, Strings, and Timpani (Review by James Miller) | soprano | PREVIN: Sonata for Cello and Piano. Four Songs (to Poems by Toni Morrison), for Soprano, Cello, and Piano. Two Remembrances, for Soprano, Alto Flute, and Piano. Vocalise, for Soprano, Cello, and Piano (Review by Michael Ullman) | soprano | PUCCINI II, GIACOMO: Gianni Schicchi (Review by Andrew Desiderio) | soprano | PUCCINI II, GIACOMO: Gianni Schicchi (Review by Arthur Lintgen) | soprano | PURCELL, HENRY: The Fairy Queen (Review by Michael Ullman) | soprano | RACHMANINOFF: Symphony No. 2 in E Minor, op. 27. Vocalise, op. 34, no. 14* (Review by James H. North) | soprano | RAVEL: Pavane pour une infante defunte (Review by Adrian Corleonis) | soprano | RAVEL: Shéhérazade (Review by James Miller) | soprano | SCHMITT, FLORENT: In Memoriam, op. 72 (Review by Adrian Corleonis) | soprano | STRAVINSKY, IGOR: Symphony of Psalms (Review by J. F. Weber) | soprano | STRAVINSKY, IGOR: The Rake's Progress (Review by Peter J. Rabinowitz) | Anne | STRAVINSKY, IGOR: The Rake's Progress (Review by Peter J. Rabinowitz) | soprano | SULLIVAN: The Yeoman of the Guard (Review by James Camner) | Elsie Maynard | SULLIVAN: The Yeoman of the Guard (Review by James Camner) | soprano | VELÁZQUEZ, CONSUELO: Bésame mucho (Review by Robert Schulslaper) | voice | VELÁZQUEZ, CONSUELO: Bésame mucho (Review by Lynn René Bayley) | voice | VELÁZQUEZ, CONSUELO: Bésame mucho (Review by Henry Fogel) | voice | VELÁZQUEZ, CONSUELO: Bésame mucho (Review by Raymond Tuttle) | voice | VIVALDI, ANTONIO: Gloria in D, RV. 589 (Review by George Chien) | soprano |
|
NOT TO BE MISSED!
Reviews and interviews
Just click and read!
|
