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Performer: Red Mitchell

A DIFFERENT KIND OF BLUES: (Review by John Ditsky)

bass 

André Previn and His Pals. West Side Story: (Review by John Ditsky)

bass 

Bill Dobbins/Red Mitchell: Where One Relaxes (Bill Dobbins) (Review by Andrew Sussman)

double bass 

Bill Mays & Red Mitchell: Two of a Mind (Bill Mays) (Review by Andrew Sussman)

double bass 

CRIME JAZZ!: Music from 77 Sunset Strip, Hawaiian... (Warren Barker O) (Review by Lynn René Bayley)

double bass 

IT'S A BREEZE: (Review by John Ditsky)

bass 

JIMMY ROWLES/RED MITCHELL- I'm Glad There Is You: (Review by Andrew Sussman)

bass 

Jim Hall and Red Mitchell: (Review by Andrew Sussman)

double bass 

Red Mitchell—Harold Land Quintet. Hear Ye!: (Review by Alan Rosenthal)

double bass 

Ruth Olay/Red Mitchell: Ruth Olay Sings Jazz Today (Ruth Olay) (Review by Andrew Sussman)

double bass 

BURKE/VAN HEUSEN: But Beautiful (Review by Lynn René Bayley)

double bass 

COWARD: Ziguener (Review by Lynn René Bayley)

double bass 

FURBER/BRAHAM: Limehouse Blues (Review by Lynn René Bayley)

double bass 

GARCIA, RUSS: I’ll Never Forget What’s Her Name (Review by Lynn René Bayley)

double bass 

GERSHWIN, GEORGE AND IRA: Someone to Watch Over Me (Review by Lynn René Bayley)

double bass 

GILBERT L. WOLFE/WAYNE, MABEL: Ramona (Review by Lynn René Bayley)

double bass 

MARTIN/BLANE: The Boy Next Door (Review by Lynn René Bayley)

double bass 

PORTER, COLE: Just One of Those Things. What is This Thing Called Love? (Review by Lynn René Bayley)

double bass 

RODGERS-HART: Dancing on the Ceiling (Review by Lynn René Bayley)

double bass 

ROMBERG/HAMMERSTEIN: Lover, Come Back to Me (Review by Lynn René Bayley)

double bass 

STRAYHORN: Lush Life (Review by Lynn René Bayley)

double bass 

 

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