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Performer: Christine Rice BACH, JOHANN SEBASTIAN: St. Matthew Passion (Review by Lynn René Bayley) | mezzo-soprano | BACH, JOHANN SEBASTIAN: St. Matthew Passion (Review by George Chien) | mezzo-soprano | BEETHOVEN, LUDWIG VAN: Symphonies Nos. 1–9 (Review by Steven Kruger) | alto | BEETHOVEN, LUDWIG VAN: Symphonies Nos. 1–9 (Review by Jerry Dubins) | mezzo-soprano | BIRTWISTLE: The Minotaur (Review by Ronald E. Grames) | Ariadne | BIRTWISTLE: The Minotaur (Review by Ronald E. Grames) | Ariadne | BIRTWISTLE: The Minotaur (Review by Arthur Lintgen) | Ariadne | BIRTWISTLE: The Minotaur (Review by James H. North) | Ariadne | BIZET: Carmen (Review by James A. Altena) | Carmen | BIZET: Carmen (Review by Joel Kasow) | Mercédès | BIZET: Carmen (Review by Andrew Quint) | Mercédès | BRIAN: Symphony No. 1, “Gothic” (Review by Phillip Scott) | mezzo-soprano | BRITTEN: The Rape of Lucretia (Review by Bill White) | Lucretia | DURUFLÉ, MAURICE: Requiem (Review by George Chien) | mezzo-soprano | DURUFLÉ, MAURICE: Requiem (Review by J. F. Weber) | mezzo-soprano | ELGAR: Symphony No. 1. In the South, “Alassio.“ In Moonlight—Canto popolare (Review by Bernard Jacobson) | mezzo-soprano | HANDEL, GEORGE FRIDERIC: Aci, Galatea e Polifemo (Review by Bertil van Boer) | mezzo-soprano | HANDEL, GEORGE FRIDERIC: Aggripina (Review by Bertil van Boer) | mezzo-soprano | HANDEL, GEORGE FRIDERIC: Alcina (Review by Bertil van Boer) | mezzo-soprano | HANDEL, GEORGE FRIDERIC: Amadigi di Gaula (Review by Bertil van Boer) | mezzo-soprano | HANDEL, GEORGE FRIDERIC: Ariodante (Review by Bertil van Boer) | mezzo-soprano | HANDEL, GEORGE FRIDERIC: Giulo Cesare (Review by Bertil van Boer) | mezzo-soprano | HANDEL, GEORGE FRIDERIC: Rinaldo (Review by Bertil van Boer) | mezzo-soprano | HANDEL, GEORGE FRIDERIC: Rodrigo (Review by Bertil van Boer) | mezzo-soprano | HANDEL, GEORGE FRIDERIC: Teseo (Review by Bertil van Boer) | mezzo-soprano | HOWELLS, HERBERT: Missa Sabrinensis. Michael “A Fanfare Setting” (Review by James A. Altena) | alto | HOWELLS, HERBERT: Take him, earth, for cherishing (Review by J. F. Weber) | mezzo-soprano | MOORE, PHILIP: 3 Prayers of Dietrich Bonhoeffer (Review by J. F. Weber) | mezzo-soprano | MOZART: Così fan tutte (Review by Evan Dickerson) | mezzo-soprano | MOZART: Die Zauberflöte (Review by Andrew Quint) | Second Lady | MOZART: Die Zauberflöte (Review by Andrew Quint) | Second Lady | MOZART: Die Zauberflöte (Review by Evan Dickerson) | mezzo-soprano | MOZART: La clemenza di Tito (Review by Brian Robins) | Annio | MOZART: Requiem (ed. Süssmayr) (Review by Christopher Brodersen) | mezzo-soprano | MOZART: Requiem (ed. Süssmayr) (Review by J. F. Weber) | mezzo-soprano | MOZART: Requiem (ed. Süssmayr) (Review by George Chien) | mezzo-soprano | OFFENBACH: Les contes d’Hoffmann (Review by Ken Meltzer) | Giulietta | TAVENER, JOHN: The peace that surpasseth understanding (Review by J. F. Weber) | mezzo-soprano | VAUGHAN WILLIAMS: Lord, thou hast been our refuge (Review by J. F. Weber) | mezzo-soprano |
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