AIRS AND DANCES IN SHAKESPEARE'S TIME: (Review by J. F. Weber) | lute |
IN DARKNESS LET ME DWELL: MUSIC OF JOHN DOWLAND (John Potter) (Review by Tom Moore) | lute |
ITALIAN CONCERTOS AND SONATAS: (Review by Bertil van Boer) | conductor |
STYLUS PHANTASTICUS: (Review by Bertil van Boer) | conductor |
TROUBADOUR SONGS AND MEDIEVAL LYRICS: (Review by J. F. Weber) | lute |
ALBERTINI: Sonata prima (Review by Michael De Sapio) | director |
ANONYMOUS: A Devision for a trible violi to play with a virginali. Paul's Steeple (Review by Elliott S. Hurwitt) | baroque guitar |
ANONYMOUS: A Devision for a trible violi to play with a virginali. Paul's Steeple (Review by Elliott S. Hurwitt) | theorbo |
ANONYMOUS: Folies d’Espagne. Pestr´y zbornik (Review by Brian Robins) | director |
ANONYMOUS: Folies d’Espagne. Pestr´y zbornik (Review by Brian Robins) | guitar |
ANONYMOUS: Folies d’Espagne. Pestr´y zbornik (Review by Brian Robins) | lute |
BALTZAR, THOMAS: A Prelude for the Violin by Senior Balshar, a Germaine. A Division on John come Kiss (Review by Elliott S. Hurwitt) | baroque guitar |
BALTZAR, THOMAS: A Prelude for the Violin by Senior Balshar, a Germaine. A Division on John come Kiss (Review by Elliott S. Hurwitt) | theorbo |
BIBER, HEINRICH IGNAZ FRANZ VON: Sonata prima (Review by Michael De Sapio) | director |
BLOW, JOHN: Venus and Adonis (Review by Barry Brenesal) | conductor |
BORNELH, GIRAUT DE: Reis glorios, verais lums e clartatz (Review by Edward Strickland) | lute |
BORNELH, GIRAUT DE: Reis glorios, verais lums e clartatz (Review by Edward Strickland) | psaltery |
BRADE: Coral (Review by Elliott S. Hurwitt) | baroque guitar |
BRADE: Coral (Review by Elliott S. Hurwitt) | theorbo |
BUSATTI: Angela siete (Review by Michael Ullman) | chittarone |
BUSATTI: Angela siete (Review by Michael Ullman) | guitar |
BYRD, WILLIAM: John Come Kisse (Review by Elliott S. Hurwitt) | baroque guitar |
BYRD, WILLIAM: John Come Kisse (Review by Elliott S. Hurwitt) | theorbo |
CACCINI, GIULIO: Amarilli, mia bella (Review by Brian Robins) | director |
CACCINI, GIULIO: Amarilli, mia bella (Review by Brian Robins) | guitar |
CACCINI, GIULIO: Amarilli, mia bella (Review by Brian Robins) | lute |
CAZZATI: Balletto quarto (Review by Brian Robins) | director |
CAZZATI: Balletto quarto (Review by Brian Robins) | guitar |
CAZZATI: Balletto quarto (Review by Brian Robins) | lute |
CHARPENTIER, MARC-ANTOINE: Actéon. Orphée descendant aux enfers. La Pierre Philosophale (Review by Barry Brenesal) | conductor |
CHARPENTIER, MARC-ANTOINE: Actéon. Orphée descendant aux enfers. La Pierre Philosophale (Review by Barry Brenesal) | conductor |
CHARPENTIER, MARC-ANTOINE: La descente d’Orphée. La couronne de fleurs (Review by Barry Brenesal) | conductor |
CONRADI: Ariadne (Review by Brian Robins) | conductor |
CONRADI: Ariadne (Review by Brian Robins) | guitar |
CONRADI: Ariadne (Review by Brian Robins) | lute |
CORBETTA, FRANCISCO: Partite sopra La Folia (Review by Michael De Sapio) | director |
CORELLI, ARCANGELO: Sonatas (Review by Brian Robins) | director |
CORELLI, ARCANGELO: Sonatas (Review by Brian Robins) | guitar |
CORELLI, ARCANGELO: Sonatas (Review by Brian Robins) | lute |
FALCONERÒ: Riñen y pelean entre Berzebillo con Stanasillo, y Caruf, y Pántul. Bayle de los dichos diabolos. Fantasia detta la Portia. L'Eroica a tre y Ciaccona (Review by Tom Moore) | guitar |
FARINA, CARLO: Sonata seconda detta La desperata (Review by Brian Robins) | director |
FARINA, CARLO: Sonata seconda detta La desperata (Review by Brian Robins) | guitar |
FARINA, CARLO: Sonata seconda detta La desperata (Review by Brian Robins) | lute |
FARINA, CARLO: Sonata seconda detta la Desperata (Review by Michael De Sapio) | director |
FARINEL: Faronell's Ground (Review by Elliott S. Hurwitt) | baroque guitar |
FARINEL: Faronell's Ground (Review by Elliott S. Hurwitt) | theorbo |
FONTANA, GIOVANNI BATTISTA: Sonata seconda (Review by Michael De Sapio) | director |
FOSCARINI: Aria della Fulia variata (Review by Brian Robins) | director |
FOSCARINI: Aria della Fulia variata (Review by Brian Robins) | guitar |
FOSCARINI: Aria della Fulia variata (Review by Brian Robins) | lute |
GRANATA: Guitar Sonata (Review by Brian Robins) | director |
GRANATA: Guitar Sonata (Review by Brian Robins) | guitar |
GRANATA: Guitar Sonata (Review by Brian Robins) | lute |
GRAUPNER, JOHANN CHRISTOPH: Antiochus und Stratonica (Review by Bertil van Boer) | conductor |
GUILLAUME IX d’AQUITAINE: Farai un vers de dreit nien (Review by Edward Strickland) | lute |
GUILLAUME IX d’AQUITAINE: Farai un vers de dreit nien (Review by Edward Strickland) | psaltery |
HANDEL, GEORGE FRIDERIC: Acis and Galatea. Sarei troppo felice (Review by Barry Brenesal) | conductor |
HANDEL, GEORGE FRIDERIC: Alexander Balus (Review by Ron Salemi) | conductor |
HANDEL, GEORGE FRIDERIC: Alexander’s Feast (Review by Raymond Tuttle) | conductor |
HANDEL, GEORGE FRIDERIC: Alexander’s Feast (Review by Raymond Tuttle) | guitar |
HANDEL, GEORGE FRIDERIC: Alexander’s Feast (Review by Raymond Tuttle) | lute |
HANDEL, GEORGE FRIDERIC: Concerti grossi (Review by Raymond Tuttle) | conductor |
HANDEL, GEORGE FRIDERIC: Concerti grossi (Review by Raymond Tuttle) | guitar |
HANDEL, GEORGE FRIDERIC: Concerti grossi (Review by Raymond Tuttle) | lute |
HANDEL, GEORGE FRIDERIC: Concertos (Review by Ron Salemi) | conductor |
HANDEL, GEORGE FRIDERIC: Duets, Arias, and Overtures (Review by Bernard Jacobson) | Baroque gtr |
HANDEL, GEORGE FRIDERIC: Duets, Arias, and Overtures (Review by Bernard Jacobson) | director |
HANDEL, GEORGE FRIDERIC: Duets, Arias, and Overtures (Review by Bernard Jacobson) | lute |
HANDEL, GEORGE FRIDERIC: Esther (Review by Ron Salemi) | conductor |
HANDEL, GEORGE FRIDERIC: Giulio Cesare (Review by Ron Salemi) | conductor |
HANDEL, GEORGE FRIDERIC: Israel in Egypt (Review by Raymond Tuttle) | conductor |
HANDEL, GEORGE FRIDERIC: Israel in Egypt (Review by Raymond Tuttle) | guitar |
HANDEL, GEORGE FRIDERIC: Israel in Egypt (Review by Raymond Tuttle) | lute |
HANDEL, GEORGE FRIDERIC: Messiah (Review by Raymond Tuttle) | conductor |
HANDEL, GEORGE FRIDERIC: Messiah (Review by Raymond Tuttle) | guitar |
HANDEL, GEORGE FRIDERIC: Messiah (Review by Raymond Tuttle) | lute |
HANDEL, GEORGE FRIDERIC: Ode for St. Cecilia’s Day (Review by Raymond Tuttle) | conductor |
HANDEL, GEORGE FRIDERIC: Ode for St. Cecilia’s Day (Review by Raymond Tuttle) | guitar |
HANDEL, GEORGE FRIDERIC: Ode for St. Cecilia’s Day (Review by Raymond Tuttle) | lute |
HANDEL, GEORGE FRIDERIC: Rinaldo (Review by Ron Salemi) | conductor |
HANDEL, GEORGE FRIDERIC: Rinaldo (Review by Bernard Jacobson) | Baroque gtr |
HANDEL, GEORGE FRIDERIC: Rinaldo (Review by Bernard Jacobson) | director |
HANDEL, GEORGE FRIDERIC: Rinaldo (Review by Bernard Jacobson) | lute |
HANDEL, GEORGE FRIDERIC: Samson (Review by Raymond Tuttle) | conductor |
HANDEL, GEORGE FRIDERIC: Samson (Review by Raymond Tuttle) | guitar |
HANDEL, GEORGE FRIDERIC: Samson (Review by Raymond Tuttle) | lute |
HANDEL, GEORGE FRIDERIC: Saul (Review by Raymond Tuttle) | conductor |
HANDEL, GEORGE FRIDERIC: Saul (Review by Raymond Tuttle) | guitar |
HANDEL, GEORGE FRIDERIC: Saul (Review by Raymond Tuttle) | lute |
HANDEL, GEORGE FRIDERIC: Saul (Review by Ron Salemi) | conductor |
HANDEL, GEORGE FRIDERIC: Theodora (Review by Brian Robins) | guitar |
HANDEL, GEORGE FRIDERIC: Theodora (Review by Brian Robins) | lute |
HANDEL, GEORGE FRIDERIC: Theodora (Review by Bernard Jacobson) | guitar |
HANDEL, GEORGE FRIDERIC: Theodora (Review by Bernard Jacobson) | lute |
HIDALGO, JUAN: Noble en Tinacria naciste. A todos miro. Crédito es de mi decoro. En los floridos paramos. Ay amor, ay ausencia. Ay, que si, ay, que no. De los ceños del diciembre. Como ha de saber Selillä. De las luces que en el mar. La noche tenebrosa. Trompicabais amor (Review by Tom Moore) | guitar |
HUME, CAPTAIN TOBIAS: Captain Humes Poeticall Musické, Vols. 1-2 (Review by Tom Moore) | lute |
JACCHINI: Cello Concerto in F, op. 4/9 (Review by Brian Robins) | director |
JENKINS, JOHN: Fantasy in D Minor (Review by Elliott S. Hurwitt) | baroque guitar |
JENKINS, JOHN: Fantasy in D Minor (Review by Elliott S. Hurwitt) | theorbo |
JOHNSON, ROBERT: Care-charming sleep. Have you seen buta bright lily grow. As I walked forth (Review by Michael Ullman) | chittarone |
JOHNSON, ROBERT: Care-charming sleep. Have you seen buta bright lily grow. As I walked forth (Review by Michael Ullman) | guitar |
KELLNER: Fantasies (Review by Michael Ullman) | Baroque lute |
KELLNER: XVI Auserlesene Lautenstucke (Review by Michael Ullman) | Baroque lute |
LALANDE: Les fontaines de Versailles. Le concert d’esculape. Grand pièce de G-Ré-Sol (Review by Bertil van Boer) | conductor |
LAMBERT, MICHEL: Vos mépris chaque jour. Ombre de mon amant (Review by Brian Robins) | lute |
LANDI, STEFANO: La Morte d'Orfeo (Review by David Johnson) | conductor |
LANDI, STEFANO: La morte d’Orfeo (Review by Barry Brenesal) | conductor |
LAWES, WILLIAM: Suite No. 8 in D (Review by Elliott S. Hurwitt) | baroque guitar |
LAWES, WILLIAM: Suite No. 8 in D (Review by Elliott S. Hurwitt) | theorbo |
LE CAMUS, SEBASTIAN: Je veux me plaindre. Laissez durer la nuit. Amour, cruel amour. Forêt solitaires. On n’entend rien (Review by Brian Robins) | lute |
LEO, LEONARDO: Cello Concerto in d (Review by Brian Robins) | director |
LULLY: Thésée (Review by Barry Brenesal) | conductor |
MACQUE: Toccata (Review by Michael De Sapio) | director |
MARCABRU: L'autrier josť una sebissa (Review by Edward Strickland) | lute |
MARCABRU: L'autrier josť una sebissa (Review by Edward Strickland) | psaltery |
MATTEIS, NICOLA: Ground after the Scotch Humour. Ground in D, la sol re per far la mano. Passagio a solo. Allegro prestissimo. Ground. Adagio piu presto. Aria Amoroso (Review by Elliott S. Hurwitt) | baroque guitar |
MATTEIS, NICOLA: Ground after the Scotch Humour. Ground in D, la sol re per far la mano. Passagio a solo. Allegro prestissimo. Ground. Adagio piu presto. Aria Amoroso (Review by Elliott S. Hurwitt) | theorbo |
MIRAVAL, RAIMON DER: Aissi cum es genser pascors (Review by Edward Strickland) | lute |
MIRAVAL, RAIMON DER: Aissi cum es genser pascors (Review by Edward Strickland) | psaltery |
MONTEVERDI: Amor dov'è la fe' (Review by Michael Ullman) | chittarone |
MONTEVERDI: Amor dov'è la fe' (Review by Michael Ullman) | guitar |
MONTEVERDI: Tempro la cetra. Il ballo delle ingrate. Tirsi e Clori. Il Combattimento di Tancredi e Clorinda (Review by Tom Moore) | director |
PANDOLFI: La castella (Review by Michael De Sapio) | director |
PLATTI: Cello Concertos (Review by Brian Robins) | director |
PORPORA, NICOLA: Cello Concerto in a (Review by Brian Robins) | director |
PURCELL, HENRY: She loves and she confesses (Review by Michael Ullman) | chittarone |
PURCELL, HENRY: She loves and she confesses (Review by Michael Ullman) | guitar |
RIQUIER, GUIRAUT: Be.m degra de chantar tener (Review by Edward Strickland) | lute |
RIQUIER, GUIRAUT: Be.m degra de chantar tener (Review by Edward Strickland) | psaltery |
RORE, CIPRIANO DE: Ancor che col partire (Review by Michael Ullman) | chittarone |
RORE, CIPRIANO DE: Ancor che col partire (Review by Michael Ullman) | guitar |
ROSSI, LUIGI: Disperate speranze. Piango, prego e sospiro. Infelice pensier. Passacaglie del seigneur Luigi. Corrente. Occhi belli. Sarabanda. Balletto. Noi siam tre donzellane semplicette. Ai sospiri, al dolore, Arie di passacaglia. Speranza al tuo pallore. Poi che mancò la speranza. Fan battaglia (Review by Tom Moore) | director |
ROSSI, LUIGI: Le canterine romane (Review by Tom Moore) | director |
SAINTE-COLOMBE: Concerts (Review by Brian Robins) | lute |
SANCES: Accenti queruli (Review by Michael Ullman) | chittarone |
SANCES: Accenti queruli (Review by Michael Ullman) | guitar |
SARTORIO: L’Orfeo (Review by Craig Zeichner) | director |
SCHMELZER, JOHANN HEINRICH: Ciaconna in A (Review by Michael De Sapio) | director |
SCHMELZER, JOHANN HEINRICH: Sonata seconda. Sonata quarta (Review by Michael De Sapio) | director |
SCHOP: Lachrimae (Review by Elliott S. Hurwitt) | baroque guitar |
SCHOP: Lachrimae (Review by Elliott S. Hurwitt) | theorbo |
SELMA Y SALAVERDE, BARTHOLOMÉ: Canzon 3. Canzon 1. Canzon 8 (Review by Tom Moore) | guitar |
SIMPSON, CHRISTOPHER: Prelude. Divisions on a Ground (Review by Elliott S. Hurwitt) | baroque guitar |
SIMPSON, CHRISTOPHER: Prelude. Divisions on a Ground (Review by Elliott S. Hurwitt) | theorbo |
STEFFANI, AGOSTINO: Niobe, Regina di Tebe (Review by Lynn René Bayley) | conductor |
STEFFANI, AGOSTINO: Niobe, Regina di Tebe (Review by Barry Brenesal) | conductor |
STUBBS: Arpeggiata a mio modo (Review by Brian Robins) | director |
STUBBS: Arpeggiata a mio modo (Review by Brian Robins) | guitar |
STUBBS: Arpeggiata a mio modo (Review by Brian Robins) | lute |
STUBBS: Refrains 1-3 (Review by Michael Ullman) | chittarone |
STUBBS: Refrains 1-3 (Review by Michael Ullman) | guitar |
UCCELLINI: Sonata detta la Luciminia contenta (Review by Michael De Sapio) | director |
VALENT, MILOS: “Folia” Improvisations (2 sets) (Review by Brian Robins) | director |
VALENT, MILOS: “Folia” Improvisations (2 sets) (Review by Brian Robins) | guitar |
VALENT, MILOS: “Folia” Improvisations (2 sets) (Review by Brian Robins) | lute |
VENTADORN, BERNART DE: Be m'an perdut lai enves Ventadorn. Can vei la lauzeta mover (Review by Edward Strickland) | lute |
VENTADORN, BERNART DE: Be m'an perdut lai enves Ventadorn. Can vei la lauzeta mover (Review by Edward Strickland) | psaltery |
VIDAL, PEIRE: Pos tornatz sui en Proensa (Review by Edward Strickland) | lute |
VIDAL, PEIRE: Pos tornatz sui en Proensa (Review by Edward Strickland) | psaltery |
VIVALDI, ANTONIO: Concerto for 2 Cellos in g, RV 531 (Review by Brian Robins) | director |
VIVALDI, ANTONIO: Laudate pueri Dominum, RV 601 (Review by Joel Kasow) | conductor |
VIVALDI, ANTONIO: O qui coeli terraeque serenitas, RV 631 (Review by Joel Kasow) | conductor |
VIVALDI, ANTONIO: Sacred Motets (Review by Joel Kasow) | conductor |
VIVALDI, ANTONIO: Salve Regina, RV 617 (Review by Joel Kasow) | conductor |
VIVALDI, ANTONIO: Vos aurae per montes, RV 634 (Review by Joel Kasow) | conductor |
WILBYE, JOHN: Weep, weep, mine eyes (Review by Michael Ullman) | chittarone |
WILBYE, JOHN: Weep, weep, mine eyes (Review by Michael Ullman) | guitar |
