A BRAHMS READER By Michael Musgrave. New Haven and London: Yale University Press, 2000.

A CELLIST'S LIFE. By Colin Hampton. Escondido, CA: Back Stage Books (String Letter Publishing); 2000.

A COMPANION TO SCHUBERTS SCHWANENGESANG: HISTORY, POETS, ANALYSIS, PERFORMANCE. Edited by Martin Chusid. New Haven and London: Yale University Press, 2000.

A CONCISE HISTORY OF WESTERN MUSIC. By Paul Griffiths. New York: Cambridge University Press, 2006.

A HISTORY OF RUSSIAN MUSIC. By Francis Maes. Berkeley: University of California Press, 2001,

A NED ROREM READER. By Ned Rorem; foreword by J. D. McClatchy. Yale University Press, 2001.

A NEW APPROACH TO BACH. By Alberto Basso. HARMONIA MUNDI HMB 595003. 51pp. with 2 CDs various artists; 148:33 Text and Translation)

A PASSION FOR OPERA: Learning to Love it: The Greatest Masters, Their Greatest Music. By Peter Fox Smith. North Pomfret, Vermont: Trafalfar Square Publishing, 2004.

A SHOSTAKOVICH CASEBOOK. Edited by Malcolm Hamrick Brown. Bloomington, IN: Indiana University Press. 2005.

ALAN RAWSTHORNE: Portrait of a Composer By John McCabe. Oxford and New York: Oxford University Press, 1999.

ALMA ROSÉ: VIENNA TO AUSCHWITZ By Richard Newman with Karen Kirtley. Portland, Oregon: Amadeus Press, 2000.

AMERICAN MUSE: The Life and Times of William Schuman. By Joseph W. Polisi. New York: Amadeus Press, 2008. xvii +

AN INTRODUCTION TO GREGORIAN CHANT By Richard Crocker. New Haven, CT: Yale University Press, 2000.

AN INTRODUCTION TO THE POST-TRIDENTINE MASS PROPER. Musicological Studies and Documents 54. By Theodore Karp. Middleton, WI: The American Institute of Musicology, 2005. 2 vols; Part 1, Text, viii +

ANTON BRUCKNER: SYMPHONY NO. 8 By Benjamin M. Korstvedt. Cambridge and New York: Cambridge University Press, 2000.

ARTURO TOSCANINI: THE NBC YEARS. By Mortimer H. Frank. Portland, OR: Amadeus Press.

BACH AND THE PATTERNS OF INVENTION. By Laurence Dreyfus. Cambridge, MA: Harvard University Press, 1996.

BACH’S CHANGING WORLD: Voices in the Community. Edited by Carol K. Baron. Rochester, NY: University of Rochester Press, 2006.

BEETHOVEN (Life and Times). By Martin Geck (translation: Anthea Bell). Vermont: Haus Publishing, Distributed by Trafalgar Square Books, 2003.

BEETHOVEN'S PIANO SONATAS: A Short Companion. By Charles Rosen. New Haven and London: Yale University Press, 2002. 256pp.

BEETHOVEN’S FIFTH AND SEVENTH SYMPHONIES: A Closer Look. By David Hurwitz. New York: Continuum, 2008.

BEETHOVEN’S SYMPHONIES: A Guided Tour. By John Bell Young. New York: Amadeus Press, 2008. xx + 132pp. Paper. Includes CD.

BENJAMIN BRITTEN. By Michael Oliver. London: Phaidon Press, 1996/2008.

BILL EVANS: HOW MY HEART SINGS By Peter Pettinger. New Haven & London: Yale University Press, 1998.

BOHEMIAN FIFTHS: AN AUTOBIOGRAPHY By Hans Werner Henze. Princeton, NJ: Princeton University Press, 1999.

BOSTON SYMPHONY ORCHESTRA: An Augmented Discography. By James H. North. Foreword by James Levine. Lanham, Toronto, Plymouth: Scarecrow Press, 2008.

BRAHMS AND HIS WORLD: A BIOGRAPHICAL DICTIONARY. By Peter Clive. Lanham, MD: The Scarecrow Press, 2006.

BRAHMS’S SONG COLLECTIONS. By Inge Van Rij. Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paulo: Cambridge University Press, 2006.

BRUNO WALTER: A World Elsewhere. By Eric Ryding and Rebecca Pechevsky. Yale University Press, 2001.

BÉLA BARTÓK. By Kenneth Chalmers. London and New York: Phaidon Press, 1995, reprinted 2008.

CAGETALK: Dialogues With and About John Cage. Edited by Peter Dickinson. Rochester, NY: University of Rochester Press, 2006.

CALLING ON THE COMPOSER: A Guide to European Composer Houses and Museums. By Julie Anne Sadie and Stanley Sadie. New Haven and London. Yale University Press.

CALVIN HAMPTON: A Musician Without Borders. By Jonathan B. Hall. Colfax, NC: Wayne Leupold Editions, 2010.

CAN'T HELP SINGING—The Life of Eileen Farrell. By Eileen Farrell and Brian Kellow. Boston: Northeastern University Press, 1999.

CAVAILLÉ-COLL AND THE FRENCH ROMANTIC TRADITION. By Fenner Douglass. New Haven & London: Yale University Press, 1999.

CHALLENGES: A Memoir of My Life in Opera. By Sarah Caldwell, with Rebecca Matlock. Middletown, CT: Wesleyan University Press, 2008. xiv &

CHOPIN: THE WOMEN IN HIS LIFE. By Božena Zofia Weber. Paris: Opus 111.

CHORAL MASTERWORKS: A Listener’s Guide. By Michael Steinberg. Oxford: Oxford University Press, 2005. xiii +

CHORAL MASTERWORKS: A Listener’s Guide. By Michael Steinberg. Oxford: Oxford University Press, 2008. xiii+

CHORAL MUSIC IN THE NINETEENTH CENTURY. By Nick Strimple. New York: Amadeus Press, 2008.

CHORAL MUSIC IN THE TWENTIETH CENTURY. By Nick Strimple. Pompton Plains, NJ: Amadeus Press, 2005.

COMPANION TO BAROQUE MUSIC. Compiled and edited by Julie Anne Sadie. Berkeley: University of California Press, 1998.

COMPOSERS ON COMPOSING FOR BAND, VOLUME 4: Young and Emerging Composers. Ed. by Mark Camphouse. Chicago: GIA Publications, 2009.

COMPOSERS’ VOICES FROM IVES TO ELLINGTON: An Oral History of American Music. By Vivian Perlis and Libby Van Cleve. New Haven & London: Yale University Press, 2005.

CONTEMPORARY COMPOSERS ON CONTEMPORARY MUSIC. Edited by Elliott Schwartz and Barney Childs (with Jim Fox). New York: Da Capo Press, 1998.

CONVERSATION WITH THE BLUES, Second Edition. By Paul Oliver. Cambridge, UK/New York: Cambridge University Press, 1997.

COVENT GARDEN: THE UNTOLD STORY—DISPATCHES FROM THE ENGLISH CULTURE WAR, 1945-2000. By Norman Lebrecht. Boston: Northeastern University Press, 2001.

DANIEL BARENBOIM: His Life, Music & Art. By John Attanas. Evanston: John Gordon Burke Publishing, Inc, 2007.

DEAR ROGUE—A BIOGRAPHY OF THE AMERICAN BARITONE LAWRENCE TIBBETT By Hertzel Weinstat and Bert Wechsler. Portland, OR: Amadeus Press, 1996. 284pp.

DEBUSSY: The Quiet Revolutionary. By Victor Lederer. New York, NY: Amadeus Press, 2007.

DIETRICH FISCHER-DIESKAU: A BIOGRAPHY. By Hans A. Neunzig (Kenneth S. Wilson, translator). Portland, OR: Amadeus Press, 1998.

DISCOVERING MAHLER: Writings on Mahler, 1955–2005. By Donald Mitchell. Selected and Edited by Gastón Fournier-Facio and Richard Alston. Woodbridge and Rochester: The Boydell Press, 2007.

DIVAS ... IN THEIR OWN WORDS. By Andrew Palmer. Vernon Press, England. 350pp. Order direct from Vernon Press, 122 Vernon Ave., Old Basford, Nottingham NG6 OAL, England; include check for

EARLY MUSIC. By Denis Stevens. Kahn and Averill, London. 224pp. $?

ELGAR'S THIRD SYMPHONY: The Story of the Reconstruction By Anthony Payne. London & Boston: Faber and Faber, 1998.

ELISABETH SCHWARZKOPF: From Flower Maiden to Marschallin. By Kirsten Liese. New York: Amadeus Press, 2008.

FERENC FRICSAY: Recovering a Legacy By Björn Westberg. Stockholm: Lennart Ericsson, 1998. 225pp.

FIRST NIGHTS AT THE OPERA. By Thomas Forrest Kelly. New Haven, CT. Yale University Press, 2004.

FRANCO CORELLI: Prince of Tenors. By René Seghers. New York: Amadeus Press, 2008.

FRENCH PIANISM: A HISTORICAL PERSPECTIVE, 2nd Edition By Charles Timbrali. Foreword by Gaby Casadesus. Portland, OR: Amadeus Press, 1999.

FRITZ KREISLER: Love's Sorrow, Love's Joy By Amy Biancolli. Portland, OR: Amadeus Press, 1998. 465pp. Hardcover. 4 musical examples.

GABRIEL FAURÉ By Jessica Duchen. New York: Phaidon Press, 2000.

GEORGE GERSHWIN: An Intimate Portrait. By Walter Rimler. Urbana: University of Illinois Press, 2009.

GERMAN MUSIC CRITICISM IN THE LATE 18TH CENTURY: Aesthetic Issues in Instrumental Music. By Mary Sue Morrow. Cambridge and New York: Cambridge University Press, 1997. 253pp.

GIACOMO PUCCINI. By Conrad Wilson. London and San Francisco: Phaidon Press, 1997.

GRAINGER ON MUSIC Edited by Malcolm Gillies and Bruce Clunies Ross, with Bronwen Arthur and David Pear. New York: Oxford University Press, 1999.

Gustav Mahler and the New York Philharmonic Orchestra Tour America. By Mary H. Wagner. Lanham, MD: The Scarecrow Press, 2006.

GUSTAV MAHLER: Letters to his Wife. Edited by Henry-Louis de la Grange and Günther Weiss in collaboration with Knud Martner. First complete edition revised and translated by Antony Beaumont. Ithaca, New York: Cornell University Press, 2004.

GUSTAV MAHLER: Volume 4: A New Life Cut Short (1907–1911). By Henry-Louis de La Grange. Oxford and New York: The Oxford University Press, 2008.

GYÖRGY KURTÁG: Three Interviews and Ligeti Homages. Edited by Bálint András Varga. Rochester, NY: University of Rochester Press, 2009. xiii +

HANDEL’S OPERAS, 1704–1726. By Winton Dean and John Merrill Knapp. Rochester: Boydell Press, 2009.

HAVERGAL BRIAN ON MUSIC—Volume II: European and American Music in His Time. By Havergal Brian. Ed. by Malcolm MacDonald. London: Toccata Press, 2009.

HERBERT VON KARAJAN: A Life in Music By Richard Osborne. Boston: Northeastern University Press, 2000. 851pp.

HERBERT VON KARAJAN: A Life in Pictures. By Jürgen Otten. New York: Amadeus Press, 20008.

HERBERT VON KARAJAN: The Maestro As Superstar. By Paul E. Robinson. iUniverse, Inc., 2007.

HOW EQUAL TEMPERAMENT RUINED HARMONY (and Why You Should Care). By Ross W. Duffin. New York: W.W. Norton & Company, 2007.

HOW EQUAL TEMPERAMENT RUINED HARMONY, AND WHY YOU SHOULD CARE. By Ross W. Duffin. New York. W.W. Norton & Company, 2006. Paperback.

HOW MANY STRADS? OUR HERITAGE FROM THE MASTER, Enlarged and Expanded Edition. By Ernest N. Döring. Chicago, IL: Bein & Fushi, Inc., 1999.

How to Write About Music: The RILM Manual of Style. Second Edition. Edited by James R. Cowdery. New York. Répertoire International de Littérature Musicale, 2006.

I NEVER WALKED ALONE: The Autobiography of an American Singer. By Shirley Verrett, with Christopher Brooks. New York, NY: John Wiley & Sons, 2003.

IGOR STRAVINSKY. By Michael Oliver. London and New York: Phaidon Press, 1995, reprinted 2008.

INDIVISIBLE BY FOUR: A String Quartet in Pursuit of Harmony. By Arnold Steinhardt. New York: Farrar Straus Giroux, 1998.

INTIMATE VOICES: THE 20TH-CENTURY STRING QUARTET. 2 vols. Ed. by Evan Jones. Rochester, NY: Univ. Rochester Pr., 2009. xxi + 295/

IRONY AND SOUND: The Music of Maurice Ravel. By Stephen Zank. Rochester, NY: University of Rochester Press, 2009. ix +

IRVING FINE: An American Composer in His Time. By Phillip Ramey. Hillsdale and Washington, D.C.: Pendragon Press and The Library of Congress, 2005.

ISAAC STERN: My First 79 Years. By Isaac Stern, with Chaim Potok. New York: Alfred A. Knopf, 1999.

ISAAC STERN: My First 79 Years By Isaac Stern, with Chaim Potok. New York, Alfred A. Knopf, 1999.

IVOR GURNEY AND MARION SCOTT: Song of Pain and Beauty. By Pamela Blevins. Woodbridge: Boydell & Brewer, 2008. xviii +

J. S. BACH AS ORGANIST Edited by George Stauffer and Ernest May. Bloomington: Indiana University Press, 2000. Paperbound,

JANÁČEK: A COMPOSER'S LIFE. By Mirka Zemanová. Boston: Northeastern University Press, 2002.

JAZZ MODERNISM. By Alfred Appel, Jr. New York: Knopf, 2002.

JOHANN SEBASTIAN BACH: Life and Work. By Martin Geck. Translated by John Hargraves. New York: Harcourt, 2006.

JOHN STAINER: A Life in Music. By Jeremy Dibble. Woodbridge: Boydell Press, 2007.

JON VICKERS—A Hero's Life. By Jeannie Williams. Boston: Northeastern University Press, 1999.

LIBER ANTIPHONARIUS PRO DIURNIS HORIS: Pars I, de tempore. Edited by the monks of Solesmes. Solesmes, 2005.

LIBER ANTIPHONARIUS PRO DIURNIS HORIS: Pars II, Psalterium. Edited by the monks of Solesmes. Solesmes, 2006.

LIBER ANTIPHONARIUS PRO DIURNIS HORIS: Pars III, De Sanctis. Edited by the monks of Solesmes. Solesmes, 2007.

LILY PONS—A Centennial Portrait. Edited by James A.Drake and Kristin Beali Ludecke. Portland, OR: Amadeus Press, 1999.

LONDON: A MUSICAL GAZETTEER. By Lewis and Susan Foreman. New Haven and London. Yale University Press.

MAESTRO: A Surprising Story about Leading by Listening. By Roger Nierenberg. New York: Portfolio, 2009.

MAESTROS OF THE PEN: A HISTORY OF CLASSICAL MUSIC CRITICISM IN AMERICA By Mark N. Grant (Eric Friedheim, consulting editor). Boston: Northeastern University Press, 1998.

MALCOLM ARNOLD: A Composer of Real Music. By Raphael D. Thöne. Edition Wissenschaft, 2007.

MARCEL TABUTEAU: How Do You Expect to Play the Oboe If You Can’t Peel a Mushroom? By Laila Storch. Bloomington: Indiana University Press, 2008.

MARIO LANZA—TENOR IN EXILE By Roland L. Bessette. Portland, OR: Amadeus Press, 1999.

MARIO LANZA—TENOR IN EXILE By Rolande Bessette. Portland, OR: Amadeus Press, 1999.

MARY GARDEN. By Michael Turnbull. Portland, OR:: Amedeus Press, 1997.

MASS AND PARISH IN LATE MEDIEVAL ENGLAND: THE USE OF YORK. Edited by P. S. Barnwell, Claire Cross, and Ann Rycraft. Reading, England: Spire Books Ltd., 2005.

MASTERPIECES OF ITALIAN VIOLIN MAKING. By David Rattray. Lanham, MD: The Scarecrow Press, Inc., 2000.

MENDELSSOHN REMEMBERED. By Roger Nichols. New York: Faber and Faber, Inc., An affiliate of Farrar, Strauss, and Giroux, 2001.

MICHAEL COLGRASS: ADVENTURES OF AN AMERICAN COMPOSER . By Michael Colgrass. Galesville, Maryland: Meredith Music Publications, 2010.

MOZART AND HIS OPERAS. By David Cairns. Berkeley, Los Angeles, and London: University of California Press, 2006.

MOZART, HAYDN AND EARLY BEETHOVEN, 1781–1802. By Daniel Heartz. New York: W. W. Norton & Co., 2009.

MOZART: THE WONDER CHILD—A Puppet Play in Three Acts. By Diane Stanley. New York: HarperCollins Children’s Books, 2009.

MUSIC DOWNTOWN: Writings From The Village Voice. By Kyle Gann. Berkeley, CA: University of California Press, 2006.

MUSIC IN ART. Edited by Alberto Ausoni. Translated by Stephen Sartarelli. Los Angeles: J. Paul Getty Museum, 2009.

MUSIC IN THE MARKETPLACE: The Story of Philadelphia's Historic Wanamaker Organ. By Ray Biswanger. Bryn Mawr, PA: Friends of the Wanamaker Organ Press, Inc., 1999.

MUSICHOUND BLUES: The Essential Album Guide. Edited by Leland Rucker. Detroit/New York/Toronto/London: Visible Ink Books, 1998.

MUSICIANS FROM A DIFFERENT SHORE: Asians and Asian Americans in Classical Music. By Mari Yoshihara. Philadelphia: Temple University Press, 2008.

MY GOLDEN AGE OF SINGING By Frieda Hempel, with Elizabeth Johnston and William R. Moran. Portland, OR: Amadeus Press, 1998.

MY LIFE AND ART. By Aino Sellermark and Nicolai Gedda. Portland, OR: Amadeus Press, 1999.

MY ROAD TO RADIO AND THE VOCAL SCENE: Memoir of an Opera Commentator. By George Jellinek. North Carolina: McFarland, 2007.

NAPLES: City of Celebrations from the 14th to the 19th Centuries. By Dinko Fabris. OPUS 111 Muses OPS 7006, 1999.

NEW WORLD SYMPHONIES: How American Culture Changed European Music By Jack Sullivan. New Haven & London: Yale University Press, 1999.

NEW YORK PHILHARMONIC: The Authorized Recordings, 1917–2005, A Discography. By James H. North. Lanham, MD: The Scarecrow Press, 2006. xxviii &

NOTES OF A MOSCOW PIANIST By Dmitry Paperno. Portland, Oregon: Amadeus Press.

O CLAP YOUR HANDS: A Musical Tour of Sacred Choral Music. By Gordon Giles. Orleans, MA: Paraclete Press, 2008. xxv+

O CLAP YOUR HANDS: A Musical Tour of Sacred Choral Works. By Gordon Giles. Brewster, MA: Paraclete Press, 2008. xxv+

OF MOZART, PARROTS, AND CHERRY BLOSSOMS IN THE WIND: A Composer Explores Mysteries of the Musical Mind. By Bruce Adolphe. New York, NY: Limelight Editions, 1999. Softcover.

ON RUSSIAN MUSIC. By Richard Taruskin. Berkeley: University of California Press, 2009.

OPERA ONSCREEN By Ken Wlaschin. Los Angeles: Beachwood Press, 1997.

OPERA’S FIRST MASTER: The musical dramas of Claudio Monteverdi. By Mark Ringer. Pompton Plains, NJ: Amadeus Press, 2006.

OUR SCHUBERT: His Enduring Legacy. By David Schroeder. Lanham, MD: Scarecrow Press, 2009.

OUTSIDER: John Rockwell on the Arts. By John Rockwell. Pompton Plains, NJ: Limelight Editions, 2006.

PERCY GRAINGER, 3rd Edition By John Bird. New York: Oxford University Press, 1999.

PERFECTING SOUND FOREVER: The Story of Recorded Music. By Greg Milner. London: Granta, 2009.

PIERRE MONTEUX, MAÎTRE. By John Canarina. Milwaukee: Amadeus Press, 2003.

PLAYING THE BEETHOVEN PIANO SONATAS. By Robert Taub. Portland, OR: Amadeus Press, 2002. 258pp.

PRINCE OF VIRTUOSOS: A LIFE OF WALTER RUMMEL, AMERICAN PIANIST. By Charles Timbrell. Lanham, MD: Scarecrow Press, 2005.

REMINISCING IN TEMPO: A Portrait of Duke Ellington By Stuart Nicholson. Boston: Northeastern University Press, 1999.

ROSA RAISA. By Charles Mintzer. Boston: Northeastern University Press, 2001.

ROSTROPOVICH: The Musical Life of the Great Cellist, Teacher and Legend. By Elizabeth Wilson. Chicago: Ivan R. Dee, 2008.

RUTH CRAWFORD SEEGER: A Composer's Search for American Music By Judith Tick. New York and Oxford: Oxford University Press, 1997.

SARAH CALDWELL: The First Woman of Opera. By Daniel Kessler. Lanham, Maryland: The Scarecrow Press, 2008.

SCHOENBERG. By Malcolm MacDonald. Oxford and New York: Oxford University Press, 2008. xxiv +

SCHOENBERG’S TRANSFORMATION OF MUSICAL LANGUAGE. By Ethan Haimo. New York: Cambridge University Press, 2006.

SCHUBERT IN THE EUROPEAN IMAGINATION. Volume 1: The Romantic and Victorian Eras. By Scott Messing. Rochester, NY: Univ. of Rochester Press, 2006.

SCHUBERT'S GREAT C MAJOR SYMPHONY: A DISCOGRAPHY By Jerome F. Weber. Utica, NY: J. F. Weber Publications, 2000.

SECRET LIVES OF GREAT COMPOSERS: What Your Teachers Never Told You about the World’s Musical Masters . By Elizabeth Lunday. Philadelphia: Quirk Books, 2009.

SELLING SOUNDS: THE COMMERCIAL REVOLUTION IN AMERICAN MUSIC . By David Suisman. Cambridge: Harvard University Press, 2009.

SHOSTAKOVICH RECONSIDERED. Written and edited by Alan Ho and Dmitry Feofanov. London: Toccata Press, 1998.

SHOSTAKOVICH SYMPHONIES AND CONCERTOS: An Owner’s Manual. By David Hurwitz. Pompton Plains, NJ: Amadeus Press, 2006.

SHOSTAKOVICH: A LIFE. By Laurel E. Fay. Oxford/New York: Oxford University Press, 2000.

SINGERS OF THE CENTURY: Volume 2 By John B. Steane. Amadeus Press, Portland, Oregon, 1998.

SIR GEORG SOLTI: His Life and Music. By Paul E. Robinson. Lincoln, NB: iUniverse, 2006.

SOUNDS FROM MY LIFE: Reminiscences of a Musician. By Xaver Scharwenka. Translation, William E. Petig. Introduction, Robert S. Feigelson. Lanham, MD: Scarecrow Press, 2007.

START-UP AT THE NEW MET: The Metropolitan Opera Radio Broadcasts, 1966–1976. By Paul Jackson. Pompton Plains, New Jersey: Amadeus Press, 2006.

STRAVINSKY: The Second Exile: France and America, 1934–1971. By Stephen Walsh. New York: Knopf, 2006.

TCHAIKOVSKY: A Listener’s Guide. By Daniel Felsenfeld. Pompton Plains, NJ: Amadeus Press, 2006.

TENOR: History of a Voice. By John Potter. New Haven: Yale University Press, 2009. xi +

THE AMADEUS BOOK OF THE VIOLIN: Construction, History, and Music By Walter Kolneder (trans, and ed. Reinhard G. Pauly). Portland, Oregon: Amadeus Press, 1998.

THE AMERICAN SYMPHONY By Neil Butterworth. Aldershot and Brookfield: Ashgate, 1998. 338pp. 15 photographs, 95 musical illustrations.

THE BIRTH OF THE ORCHESTRA: History of an Institution, 1650–1815. By John Spitzer and Neal Zaslaw. New York: Oxford, 2004.

THE CAMBRIDGE MOZART ENCYCLOPEDIA. Edited by Cliff Eisen and Simon P. Keefe. Cambridge, England: Cambridge University Press, 2006.

THE CLASSICAL GOOD CD & DVD GUIDE—2005. Teddington, Middlesex: Gramophone Publications Limited, 2005.

THE COMPOSER IS DEAD. By Lemony Snicket. New York: HarperCollins, 2009.

THE COMPOSER-PIANISTS: HAMELIN AND THE EIGHT. By Robert Rimm. Portland, Oregon: Amadeus Press. 2002.

THE COMPOSERS: A Hystery of Music By Kevin Reeves, with preface by Daniel Taylor. Toronto: Sound And Vision, 1998. 160pp. 50 illustrations.

THE CULTURE OF OPERA BUFFA IN MOZART'S VIENNA: A Poetics of Entertainment By Mary Hunter. Princeton, NJ: Princeton University Press, 1999.

THE DANGER OF MUSIC AND OTHER ANTI-UTOPIAN ESSAYS. By Richard Taruskin. Berkeley: University of California Press, 2008.

THE DIRECTORY OF CLASSICAL THEMES. By Denys Parsons. London: Trafalgar Square Publishing, 2010.

THE ESSENTIAL CANON OF CLASSICAL MUSIC. By David Dubai. New York: North Point Press, 2001.

THE FALLEN NIGHTINGALE. By John W. Milton. Edina, MN: Swan Books, Beaver’s Pond Press, Inc., 2004.

THE FESTIVAL OF NINE LESSONS AND CAROLS. Edited and introduced by William Pearson Edwards, prologue by Stephen Cleobury. New York: Universe Publishing, 2004.

THE GENIUS OF VALHALLA: The Life of Reginald Goodall. By John Lucas. Rochester, NY: The Boydell Press, 2009.

THE GIRL IN ROSE: Haydn’s Last Love. By Peter Hobday. London: Weidenfield & Nicolson, 2005.

THE GRAMOPHONE CLASSICAL MUSIC GUIDE 2010. Edited by James Jolly. Teddington: Haymarket, 2010. xxvi +

THE GREAT AMERICAN SYMPHONY: Music, the Depression, and War. By Nicholas Tawa. Bloomington and Indianapolis: Indiana University Press, 2009.

THE GREAT AMERICAN SYMPHONY: Music, the Depression, and War. By Nicholas Tawa. Bloomington: University of Indiana Press, 2009.

THE GREAT COMPOSERS: THE LIVES AND MUSIC OF THE GREAT CLASSICAL COMPOSERS . By Jeremy Nicholas. North Pomfret, VT: Trafalgar Square Publishing, 2009.

THE GROVE BOOK OF OPERA SINGERS. Edited by Laura Macy. New York: Oxford University Press, 2005.

THE HARMONY OF BILL EVANS, Vol. 2. By Jack Reilly. New York: Hal Leonard Corp., 2010. xiii +

THE INFINITE VARIETY OF MUSIC. By Leonard Bernstein. New York: Amadeus Press, 2007.

THE JOHN ADAMS READER: Essential Writings on an American Composer. Edited by Thomas May. Pompton Plains, NJ: Amadeus Press, 2006.

THE JOHN MARSH JOURNALS: The Life and Times of a Gentleman Composer (1752-1828). Edited, introduced, and annotated by Brian Robins. Stuyvesant, New York: Pendragon Press, 1998.

THE LABEL: The Story of Columbia Records. By Gary Marmorstein. New York: Thunder’s Mouth Press, 2007.

THE LAST PRODIGY—A BIOGRAPHY OF ERICH WOLFGANG KORNGOLD By Brendan G. Carroll. Portland, OR: Amadeus Press, 1997

THE LETTERS OF ARTURO TOSCANINI. Edited by Harvey Sachs. New York: Alfred A. Knopf, 2002. 468pp. Cloth,

THE LIFE AND DEATH OF CLASSICAL MUSIC: Featuring the 100 Best and 20 Worst Recordings Ever Made. By Norman Lebrecht. Garden City, NY: Anchor Press, 2007.

THE LITERATURE OF CHAMBER MUSIC. By Arthur Cohn. Chapel Hill: Hinshaw Music, Inc., 1997. 3,

THE LONDON PHILHARMONIC DISCOGRAPHY. Compiled by Philip Stuart. Discographies, Number 69; Westport and London: Greenwood Press, 1997.

THE MAHLER SYMPHONIES: An Owner’s Manual. By David Hurwitz. Pompton Plains, NJ: Amadeus Press, 2004.

THE MUSICAL MADHOUSE. By Hector Berlioz. Translated and edited by Alastair Bruce. Rochester, NY: University of Rochester Press, 2003.

THE NEW GROVE DICTIONARY OF MUSIC AND MUSICIANS, SECOND EDITION. Edited by Stanley Sadie. New York: Grove's Dictionaries, 2001. 29 vols.

THE NEW GROVE GUIDE TO MOZART AND HIS OPERAS. By Julian Rushton. New York: Oxford University Press, 2007.

THE NEW GROVE GUIDE TO VERDI AND HIS OPERAS. By Roger Parker. New York: Oxford UP, 2007.

THE NEW YORK TIMES ESSENTIAL LIBRARY: OPERA . By Anthony Tommasini, New York: Times Books/Henry Holt and Company, 2004.

THE NINETEENTH-CENTURY GERMAN LIED. By Lorraine Gorrell. Pompton Plains, NJ: Amadeus Press, 2005.

THE PARIS DIARY AND THE NEW YORK DIARY, 1951-1961. BY Ned Rorem. New York: Da Capo Press, 1998.

THE PHILADELPHIA ORCHESTRA: A CENTURY OF MUSIC. Edited by John Ardoin. Philadelphia: Temple University Press, 1999.

THE PLACE WHERE YOU GO TO LISTEN: In Search of an Ecology of Music. By John Luther Adams. Middletown, Connecticut; Wesleyan University Press, 2009. xvi+

THE PRIMA DONNA AND OPERA, 1815-1930. By Susan Rutherford. Cambridge, New York, et al.: Cambridge University Press, 2006.

THE REDEEMER REBORN: Parsifal as the Fifth Opera of Wagner’s Ring. By Paul Schofield. New York: Thames and Hudson, 2007. 307pp.

THE REGISTRATION OF BAROQUE ORGAN MUSIC. By Barbara Owen. Bloomington, IN: Indiana University Press, 1997.

THE REST IS NOISE: Listening to the Twentieth Century. By Alex Ross. New York: Farrar, Straus, and Giroux, 2007.

THE REVISION PROCESS IN RACHMANINOFF’S PIANO CONCERTO NO. 1 IN F-SHARP MINOR, OPUS 1. By Morley Grossman. Lewiston, NY: Edwin Mellen Press, 2006. xii +

THE RISE AND FALL OF EMI RECORDS . By Brian Southall. London: Omnibus, 2009.

The Solo Cantata in 18th Century Britain. By Paul F. Rice. Warren, Michigan: Harmonie Park Press, 2003.

THE SYMPHONY IN BEETHOVEN’S VIENNA. By David Wyn Jones. Cambridge, New York, et al.: Cambridge University Press, 2006.

THE VIOLIN EXPLAINED: COMPONENTS, MECHANISM, AND SOUND. By James Beament. New York: Oxford University Press, 1997. Paperback edition, 2000.

THE VIOLIN MAKER: Finding a Centuries-Old Tradition in a Brooklyn Workshop. By John Marchese. New York City. HarperCollins Publishers, 2007. xii +

THE WORLDS OF JOHANN SEBASTIAN BACH. Edited by Raymond Erickson. New York: Amadeus Press, 2009. xvii+

THEREMIN: ETHER MUSIC AND ESPIONAGE. By Albert Glinsky. Urbana and Chicago: University of Illinois Press, 2000.

THOMAS BEECHAM: An Obsession with Music. By John Lucas. Woodbridge: Boydell, 2008. xi +

Tristan und Isolde on Record. Compiled by Jonathan Brown. Westport and London: Greenwood Press, 2000 (Discographies, No. 85).

VERDI’S AIDA: A Record of the Life of the Opera On and Off Stage. By Clyde T. McCants. Jefferson, NC: McFarland, 2005. Paperback.

VIOLIN: A Novel By Anne Rice. New York and Toronto: Alfred A. Knopf, 1997. 289pp.

Voices In The Wilderness: Six American Neo-Romantic Composers. By Walter Simmons. Latham, MD; Scarecrow Press, Inc, 2004.

WAGNER MOMENTS: A Celebration of Favorite Wagner Experiences Edited by J. K. Holman. New Jersey: Amadeus Press, 2007. 231pp. Paperback.

WESTERN PLAINCHANT IN THE FIRST MILLENNIUM. Edited by Sean Gallagher, James Haar, John Nádas, and Timothy Striplin. Burlington, VT: Ashgate Publishing Company, 2003. xix +

WHO NEEDS CLASSICAL MUSIC? By Julian Johnson. Oxford, England: Oxford University Press.

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