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 Listen to Audio Samples

Barry Araújo Kolman: Collected Works

Carmen Maret & Andrew Bergeron: Tango and Snow

Eaken Trio: Most Wonderful Time of the Year

Florestan Duo: Beethoven for Cello & Piano

Frank Brickle, Busoni, Pérotin: Ab Nou Cor

Hillary Tann: Here, The Cliffs

Jonathan Little: Polyhymnia

Josef Peter Heinzer: music for orchestra

Laura Schwendinger: Collected Works

Luisa Guembes-Buchanan: Beethoven in D, E. T. A. Hoffman Sonatas / Robert Schumann Kreisleriana, Late Beethoven

Melba: Benaud Trio, The Romantic Clarinet, The Virtuoso Piano Music of George Frederick Boyle, The Art of Nance Grant, Arcadia Lost, Elan Ballet Music from Operas of Saint Saëns, RAKHMANINOV: Leslie Howard, WAGNER: Das Rheingold, WAGNER: Die Walküre, WAGNER: Siegfried, WAGNER: Götterdämmerung, FERDINAND HÉROLD: La Somnambule

Michael Antonello: Collected Works

Open Goldberg: Open Goldberg Variations

Peter Halstead: RACHMANINOFF: Moments musicaux: No. 5 in D♭

Rick VanMatre: Gray Then Blue

Serafin String Quartet: Selected Works

Susan Merdinger: SCHUMANN & DEBUSSY

The Crossing: Selected Works

Univ of Houston Wind Ensemble: Flagello & Rosner

Ursula Bagdasarjanz: Mozart & Schoeck

William Grant Still Society: STILL: La Varsoviana

Ysmael Reyes: Incanto: Contemporary Venezuelan Music


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Melba
Michael Antonello

Performer: BBC Concert O

BRITISH LIGHT MUSIC PREMIERES, VOLUME 6: (Review by Paul A. Snook)

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IRELAND: The Towing Path. Berceuse. Soliloquy.... (Martin Yates) (Review by Colin Clarke)

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IRELAND: The Towing Path. Berceuse. Soliloquy.... (Martin Yates) (Review by Colin Clarke)

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IRELAND: The Towing Path. Berceuse. Soliloquy.... (Martin Yates) (Review by Colin Clarke)

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LEHÁR: GOLD AND SILVER (Barry Wordsworth) (Review by John Bauman)

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OPERA WITHOUT WORDS: (Review by Alan Swanson)

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STOLZ: WALTZING IN THE CLOUDS (lain Sutherland) (Review by John Bauman)

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ADDINSELL: Goodbye Mr. Chips (Review by Paul A. Snook)

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ADDINSELL: Ring Round the Moon (Review by Paul A. Snook)

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ADDISON: Film music excerpts from (Review by Paul A. Snook)

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ALFORD: The Two Imps (Review by Arthur Lintgen)

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ALWYN: Overture in the Form of a Serenade. Prelude. Blackdown—a Tone Poem from the Surrey Hills. Peter Pan Suite. Ad Infinitum—a Satire for Orchestra (Review by Barry Brenesal)

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ALWYN: Overture in the Form of a Serenade. Prelude. Blackdown—a Tone Poem from the Surrey Hills. Peter Pan Suite. Ad Infinitum—a Satire for Orchestra (Review by Arthur Lintgen)

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ALWYN: Overture in the Form of a Serenade. Prelude. Blackdown—a Tone Poem from the Surrey Hills. Peter Pan Suite. Ad Infinitum—a Satire for Orchestra (Review by Ronald E. Grames)

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ANDERSON: Alma mater. A Christmas Festival (Review by James Miller)

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ANDERSON: Belle of the Ball (Review by James Miller)

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ANDERSON: Bugler’s Holiday. Blue Tango. The First Day of Spring. Belle of the Ball. Governor Bradford March. Clarinet Candy. The Captains and the Kings. The Golden Years. Chicken Reel. Fiddle-Faddle. The Classical Jukebox. China Doll. Balladette. Arietta (Review by James Miller)

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ANDERSON: Forgotten Dreams (Review by James Miller)

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ANDERSON: Goldilocks (Review by James Miller)

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ANDERSON: Goldilocks (Review by James Miller)

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ANDERSON: Irish Suite. Summer Skies. Scottish Suite. Blue Tango (Review by James Miller)

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ANDERSON: Piano Concerto (Review by James Miller)

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ANDERSON: Suite of Carols (Review by James Miller)

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ANDERSON: Suite of Carols. Goldilocks (Review by James Miller)

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ANDERSON: Suite of Carols. Goldilocks (Review by James Miller)

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ANDERSON: Whistling Kettle. Horse and Buggy. The Waltzing Cat. Home Stretch. The Girl in Satin. March of the Two Left Feet. Waltz around the Scale. Lullaby of the Drums. Jazz Legato. Jazz Pizzicato. Song of the Bells. Song of Jupiter (Review by James Miller)

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ANDERSON: Woodbury Fanfare. A Harvard Festival. Forgotten Dreams (Review by James Miller)

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ARNELL: Classical Variations (Review by Paul A. Snook)

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ARNELL: Concerto capriccioso (Review by Barry Brenesal)

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ARNELL: Concerto capriccioso (Review by Paul A. Snook)

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ARNELL: Punch and the Child. Harlequin in April (Review by Barry Brenesal)

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ARNELL: Punch and the Child. Harlequin in April (Review by Paul A. Snook)

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ARNELL: The Great Detective. The Angels (Review by Barry Brenesal)

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ARNELL: The Great Detective. The Angels (Review by Paul A. Snook)

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BATE: Viola Concerto (Review by Paul A. Snook)

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BATE: Viola Concerto (Review by Barry Brenesal)

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BAX: Symphonic Serenade (Review by Paul A. Snook)

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BAX: Variations on the Name Gabriel Fauré (Review by Paul A. Snook)

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BELL: Viola Concerto, “Rosa mystica” (Review by Paul A. Snook)

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BELL: Viola Concerto, “Rosa mystica” (Review by Barry Brenesal)

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BENNETT: Concerto for Stan Getz (Review by Paul A. Snook)

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BERNERS: Champagne Charlie (Review by Paul A. Snook)

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BERNERS: Champagne Charlie (Review by Paul A. Snook)

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BERNERS: Nicholas Nickleby (Review by Paul A. Snook)

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BERNERS: The Halfway House (Review by Paul A. Snook)

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BIZET: L’Arléssienne Suite No. 2 (Review by Arthur Lintgen)

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BLACK: Film Music Suites (Review by Paul A. Snook)

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BOWEN: Eventide (Review by Barry Brenesal)

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BOWEN: Eventide (Review by Arthur Lintgen)

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BOWEN: Eventide (Review by Ronald E. Grames)

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BOWEN: Violin Concerto in e. Piano Concerto No. 1 in E♭ (Review by Barry Brenesal)

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BOWEN: Violin Concerto in e. Piano Concerto No. 1 in E♭ (Review by Michael Carter)

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BRIAN: Symphony No. 1, “Gothic” (Review by Phillip Scott)

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BRIAN: Symphony No. 1, “Gothic” (Review by Martin Anderson)

want list ensemble 

BRIAN: Symphony No. 1, “Gothic” (Review by Jeremy Marchant)

want list ensemble 

CARWITHEN: Boys in Brown (Review by Paul A. Snook)

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CARWITHEN: East Anglian Holiday. Mantrap (Review by Paul A. Snook)

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CARWITHEN: Men of Sherwood Forest (Review by Paul A. Snook)

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CARWITHEN: Three Cases of Murder (Review by Paul A. Snook)

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CARWITHEN: To the Public Danger (Review by Paul A. Snook)

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CARWITHEN: Travel Royal (Review by Paul A. Snook)

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CHADWICK: A Pastoral Prelude (Review by Barry Brenesal)

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CHADWICK: A Pastoral Prelude (Review by Paul A. Snook)

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CHADWICK: Adonais (Review by Barry Brenesal)

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CHADWICK: Adonais (Review by Paul A. Snook)

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CHADWICK: Cleopatra (Review by Barry Brenesal)

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CHADWICK: Cleopatra (Review by Paul A. Snook)

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CHADWICK: Sinfonietta in D (Review by Barry Brenesal)

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CHADWICK: Sinfonietta in D (Review by Paul A. Snook)

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E COATES: A la Gavotte. Dancing Nights—Concert Waltz. Symphonic Rhapsody on "With a Song in My Heart" (Review by Paul A. Snook)

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E COATES: Bird Songs at Eventide (Review by Ian Lace)

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E COATES: Calling All Workers (Review by Arthur Lintgen)

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E COATES: Green Hills of Somerset (Review by Ian Lace)

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E COATES: High Flight—March (Review by Paul A. Snook)

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E COATES: I Heard You Singing (Review by Ian Lace)

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E COATES: Lazy Night—Valse Romance (Review by Paul A. Snook)

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E COATES: London Calling—March. Symphonic Rhapsody on "I Pitch My Lonely Caravan at Night" (Review by Paul A. Snook)

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E COATES: Song of Summer (Review by Ian Lace)

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E COATES: Sound and Vision. From the Countryside. Four Ways. Holborn. Moresque. Three Bears (Review by Ian Lace)

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E COATES: Springtime Suite. The Enchanted Garden—Ballet (Review by Paul A. Snook)

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E COATES: The 7 Seas—March (Review by Paul A. Snook)

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E COATES: The Eighth Army. The Mill o’ Dreams (Review by Ian Lace)

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E COATES: The Fairy Tales of Ireland (Review by Ian Lace)

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E COATES: Under the Stars (Review by Ian Lace)

want list ensemble 

E COATES: Under the Stars (Review by Paul A. Snook)

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E COATES: Your Name (Review by Ian Lace)

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COLLINS: Eire. Santa Cecilia. Louis XV Silhouettes (Review by Paul A. Snook)

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COLLINS: Festival Royal Overture. Vanity Fair. The Song of Erin (Lamentation) (Review by Paul A. Snook)

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COLLINS: Symphony for Strings (No. 1) (Review by Paul A. Snook)

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COLLINS: Victoria the Great. The Saga of Odette (Review by Paul A. Snook)

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CONVERSE: Song of the Sea. Festival of Pan. American Sketches (Review by Martin Anderson)

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CONVERSE: Song of the Sea. Festival of Pan. American Sketches (Review by Lynn René Bayley)

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CONVERSE: Song of the Sea. Festival of Pan. American Sketches (Review by Jerry Dubins)

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CONVERSE: Song of the Sea. Festival of Pan. American Sketches (Review by Paul A. Snook)

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DELIUS: Hiawatha (ed. Threlfall) (Review by Adrian Corleonis)

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DELIUS: Légende. Caprice and Elegy (arr. Tertis) (Review by Adrian Corleonis)

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DELIUS: Suite for Violin and Orchestra. Violin and Cello Concerto (arr. Tertis) (Review by Adrian Corleonis)

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DELIUS: The Magic Fountain. Margot la Rouge (Review by Adrian Corleonis)

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DEL MAR: Allegro Concertante (Review by Paul A. Snook)

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DEL MAR: Allegro Concertante, op. 15 (Review by Barry Brenesal)

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DODGSON: Essay No. 7 (Review by Paul A. Snook)

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DYSON: 4 Songs for Sailors (Review by Barry Brenesal)

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ELGAR-WALKER: Piano Concerto (Review by Paul A. Snook)

want list ensemble 

ELGAR: Pageant of Empire. The Pipes of Pan. The River. Sea Pictures (Review by Robert Markow)

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ELGAR: The Torch; The Wind at Dawn; Pleading; Like to the Damask Rose; The Shepherd’s Song; O Soft Was the Song; Was It Some Golden Star?; Twilight; There Are Seven that Pull the Thread; The Sun Goeth Down (Review by Barry Brenesal)

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FARNON: Captain Horatio Hornblower RN (Review by Paul A. Snook)

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FARNON: Goodwood Galop. Alcan Highway (Review by Paul A. Snook)

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FARNON: Seventh Heaven. Playtime (Review by Paul A. Snook)

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FARNON: Symphony No. 1 in D♭ (Review by Paul A. Snook)

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FARNON: Symphony No. 2 in B (Review by Paul A. Snook)

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FARNON: The Frontiersmen (Review by Paul A. Snook)

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FARNON: Three Impressions (Review by Paul A. Snook)

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FOULDS: Darby and Joan. Music-Pictures Group IV (Review by Barry Brenesal)

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FOULDS: Keltic Overture. Keltic Suite. Sicilian Aubade. Isles of Greece. Holiday Sketches. An Arabian Night. Suite Fantastique (Review by Barry Brenesal)

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FOULDS: Music-Pictures Group VI (Review by Barry Brenesal)

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GERMAN: Hamlet. The Willow Song (Review by Paul A. Snook)

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GERMAN: Incidental Music to Much Ado About Nothing; The Tempter; Henry VIII; Romeo and Juliet. Marche Solenelle. Coronation March and Hymn (Review by James A. Altena)

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GERMAN: Romeo and Juliet (Review by Paul A. Snook)

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GERMAN: Symphony No. 1 in e (Review by Paul A. Snook)

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GERMAN: The Tempter (Review by Paul A. Snook)

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GIBBS: Odysseus (Review by Barry Brenesal)

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GOODWIN: Battle of Britain (Review by Arthur Lintgen)

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GREGSON: Music for Chamber Orchestra (Review by James A. Altena)

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GREGSON: Trombone Concerto. 2 Pictures for String Orchestra. A Song for Chris (Review by James A. Altena)

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GRITTON: O Stay, Madonna! (Review by Barry Brenesal)

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GURNEY: Lights Out (Review by Robert Markow)

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HAYMAN: Pops Hoedown (Review by Arthur Lintgen)

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HURD: Shore Leave (Review by Robert Markow)

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IRELAND: Love and Friendship; My True Love Hath My Heart; The Trellis; Adoration; I Have Twelve Oxen; The Salley Gardens; The Heart’s Desire; Baby; Her Song (Review by Barry Brenesal)

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IRELAND: The Towing Path. Berceuse. Soliloquy. Annabel Lee. The Holy Boy (Review by Colin Clarke)

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IRELAND: The Towing Path. Berceuse. Soliloquy. Annabel Lee. The Holy Boy (Review by Colin Clarke)

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IRELAND: The Towing Path. Berceuse. Soliloquy. Annabel Lee. The Holy Boy (Review by Colin Clarke)

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JACOB: Passacaglia Stereophonica (Review by Martin Anderson)

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JACOB: Passacaglia Stereophonica (Review by Paul A. Snook)

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JACOB: Passacaglia Stereophonica (Review by Martin Anderson)

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JACOB: Viola Concerto No. 1. Concert Piece for Viola and Orchestra. 3 Pieces for Viola and Orchestra. Viola Concerto No. 2 (Review by Martin Anderson)

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JACOB: Viola Concerto No. 1. Concert Piece for Viola and Orchestra. 3 Pieces for Viola and Orchestra. Viola Concerto No. 2 (Review by Paul A. Snook)

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JACOB: Viola Concerto No. 1. Concert Piece for Viola and Orchestra. 3 Pieces for Viola and Orchestra. Viola Concerto No. 2 (Review by Martin Anderson)

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KORNGOLD: Die Kathrin (Review by James H. North)

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KORNGOLD: Die Kathrin (Review by Lawrence A. Johnson)

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KORNGOLD: Die Kathrin (Review by Lawrence A. Johnson)

want list ensemble 

KUULA: Orchestral works (Review by Raymond Tuttle)

want list ensemble  

KUULA: Son of a Slave (Review by Barry Brenesal)

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KUULA: The Maiden and the Son of a Boyar. Prelude and Fugue (Review by Barry Brenesal)

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KUULA: The Sea-bathing Nymphs. South Ostrobothnian Suite. 4 Songs with Orchestra (Review by Barry Brenesal)

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LAMBERT: Anna Karenina (Review by Paul A. Snook)

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LAMBERT: Horoscope (Review by Michael Carter)

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LAMBERT: Merchant Seamen (Review by Paul A. Snook)

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LAMBERT: Piano Concerto (Review by Michael Carter)

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LAMBERT: Romeo and Juliet Second Tableau (Review by Martin Anderson)

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LAMBERT: The Rio Grande^. Concerto for Piano and Nine Players. Horoscope (Review by Paul A. Snook)

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LANGFORD: Concertino for Trumpet (Review by Paul A. Snook)

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LANGFORD: Fanfare and Ceremonial Prelude (Review by Paul A. Snook)

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LANGFORD: First Suite of Dances (Review by Paul A. Snook)

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LANGFORD: Greenways. Spirit of London (Review by Paul A. Snook)

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LANGFORD: Movements for String Orchestra. A Song for All Seasons (Review by Paul A. Snook)

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LANGFORD: Showtime Carousel (Review by Arthur Lintgen)

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LANGFORD: The Hippodrome Waltz. Colour Suite (Review by Paul A. Snook)

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LLOYD: lernin (Review by Henry Fogel)

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MACDOWELL: Woodland Sketches (Review by James Miller)

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MAW: Hymnus (Review by Paul A. Snook)

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MAW: Little Concert (Review by Paul A. Snook)

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MAW: Shahnama (Review by Paul A. Snook)

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MENDELSSOHN: A Midsummer Night’s Dream (Review by Andrew Quint)

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MYERS: Concerto for Soprano Saxophone and Orchestra (Review by Paul A. Snook)

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PARKER: Blue Pullman (Review by Paul A. Snook)

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PARKER: Night of the Demon (Review by Paul A. Snook)

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PARKER: Sink the Bismarck (Review by Paul A. Snook)

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PARKER: The Blue Lagoon (Review by Paul A. Snook)

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PARKER: The Sword and the Rose. Sea of Sand (Review by Paul A. Snook)

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PARKER: Treasure Island (Review by Paul A. Snook)

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PARKER: Virgin Island (Review by Paul A. Snook)

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PARKER: Western Approaches (Review by Paul A. Snook)

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PARRY: Guenever (Review by Barry Brenesal)

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PARRY: Hypatia (Review by Barry Brenesal)

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PARRY: Hypatia (Review by Arthur Lintgen)

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PARRY: Hypatia (Review by Ronald E. Grames)

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PHILLIPS: A Surrey Suite. A Shakespearean Scherzo. Arabesque (Review by Paul A. Snook)

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PHILLIPS: A Surrey Suite. A Shakespearean Scherzo. Arabesque (Review by Michael Carter)

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PHILLIPS: Charles II Overture. Hillside Melody. Hampton Court (Review by Paul A. Snook)

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PHILLIPS: Festival Overture. In Old Verona. In May Time. Empire March (Review by Paul A. Snook)

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PHILLIPS: Phantasy for Violin and Orchestra (Review by Paul A. Snook)

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PHILLIPS: Revelry Overture. Moorland Idyll. The Rebel Maid (Review by Paul A. Snook)

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PHILLIPS: Revelry Overture. Moorland Idyll. The Rebel Maid (Review by Michael Carter)

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PHILLIPS: Sinfonietta in C (Review by Michael Carter)

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PHILLIPS: Sinfonietta (Review by Paul A. Snook)

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PHILLIPS: Symphony in c (Review by Paul A. Snook)

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PHILLIPS: Symphony in c (Review by Michael Carter)

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M. PHILLIPS: Festival Overture (Review by Barry Brenesal)

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PORTER: Can-Can (Review by Arthur Lintgen)

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PORTMAN: The Little Prince (Review by Raymond Tuttle)

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RAN: Violin Concerto (Review by Robert Carl)

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RÓZSA: Ben-Hur (Review by Arthur Lintgen)

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RÓZSA: Sinfonia concertante. Cello Concerto (Review by Colin Anderson)

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RUTTER: Birthday Madrigals (Review by J. F. Weber)

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RUTTER: Feel the Spirit (Review by J. F. Weber)

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RUTTER: The Heavenly Aeroplane. Lord of the Dance (Review by J. F. Weber)

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SAINSBURY: Violin Concerto (Review by Paul A. Snook)

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SAINSBURY: Violin Concerto (Review by Michael Carter)

want list ensemble 

SANDERS: Evening on Severn (Review by Barry Brenesal)

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SCHUMANN: Piano Concerto in a, op. 54 (Review by Peter J. Rabinowitz)

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C. SCHUMANN: Konzertsatz in f (ed. Beenhouwer) (Review by Peter J. Rabinowitz)

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C. SCHUMANN: Piano Concerto in a, op. 7 (Review by Peter J. Rabinowitz)

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SPOLIANSKY: Idol of Paris (Review by Paul A. Snook)

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SPOLIANSKY: King Solomon’s Mines (Review by Paul A. Snook)

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SPOLIANSKY: North West Frontier (Review by Paul A. Snook)

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SPOLIANSKY: Saint Joan (Review by Paul A. Snook)

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SPOLIANSKY: Sanders of the River (Review by Paul A. Snook)

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SPOLIANSKY: The Ghost Goes West (Review by Paul A. Snook)

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SPOLIANSKY: The Happiest Days of Your Life (Review by Paul A. Snook)

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SPOLIANSKY: The Man Who Could Work Miracles (Review by Paul A. Snook)

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SPOLIANSKY: Wanted for Murder (Review by Paul A. Snook)

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SULLIVAN: Symphony in E (“The Irish“). Imperial March. Victoria and Merrie England (Review by John W. Lambert)

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SUPPE: Requiem (Review by J. F. Weber)

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TAN DUN: 2000 Today (Review by Art Lange)

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TORCH: Les Petites valses parisiennes (Review by Arthur Lintgen)

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TORCH: London Transport Suite. All Strings and Fancy Free. Barbecue. Trapeze Waltz. Concerto Incognito. On a Spring Note. Bicycle Belles. Comic Cuts. Mexican Fiesta. Petite Valse. Samba Sud. Shortcake Walk. Slavonic Rhapsody. Cresta Run. Shooting Star. Going for a Ride. Duel for Drummers (Review by Paul A. Snook)

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TORKE: Concerto for Saxophone and Orchestra (Review by Paul A. Snook)

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TRADITIONAL: À la Claire fontaine (Review by Arthur Lintgen)

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VAUGHAN WILLIAMS: Heroic Elegy & Triumphal Epilogue (Review by Barry Brenesal)

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VAUGHAN WILLIAMS: Heroic Elegy & Triumphal Epilogue (Review by Arthur Lintgen)

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VAUGHAN WILLIAMS: Heroic Elegy & Triumphal Epilogue (Review by Ronald E. Grames)

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VAUGHAN WILLIAMS: Romance (Review by Paul A. Snook)

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VAUGHAN WILLIAMS: Romance (Review by Barry Brenesal)

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VERDI: Don Carlos (Review by Joel Kasow)

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VERDI: Don Carlos (Review by Joel Kasow)

want list ensemble 

VERDI: Macbeth (Review by Joel Kasow)

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VERDI: Simon Boccanegra (1857) (Review by James Miller)

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VINTER: Hunter’s Moon (Review by Marc Mandel)

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WALTON: Crown Imperial (Review by Arthur Lintgen)

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WALTON: The Wise Virgins (Review by Michael Carter)

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WIDOR: Piano Concertos (Review by Dave Saemann)

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WILLIAMS: Blue Devils (Review by Colin Anderson)

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WILLIAMS: Cross Country (Review by Colin Anderson)

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WILLIAMS: Cutty Sark (Review by Colin Anderson)

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WILLIAMS: Destruction by Fire (Review by Colin Anderson)

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WILLIAMS: Devil’s Galop (Dick Barton Special Agent) (Review by Colin Anderson)

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WILLIAMS: Girls in Grey (TV Newsreel) (Review by Colin Anderson)

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WILLIAMS: High Adventure (Friday Night is Music Night) (Review by Colin Anderson)

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WILLIAMS: Jealous Lover (The Apartment) (Review by Colin Anderson)

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WILLIAMS: Little Tyrolean (Review by Colin Anderson)

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WILLIAMS: London Fair (Review by Colin Anderson)

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WILLIAMS: Model Railway (Review by Colin Anderson)

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WILLIAMS: Nursery Clock (Review by Colin Anderson)

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WILLIAMS: Rhythm on Rails (Review by Colin Anderson)

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WILLIAMS: Sally Tries the Ballet (Review by Colin Anderson)

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WILLIAMS: Starlings (Review by Colin Anderson)

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WILLIAMS: The Bells of St Clements (Review by Colin Anderson)

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WILLIAMS: The Dream of Olwen (Review by Colin Anderson)

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WILLIAMS: The Humming Top (Review by Colin Anderson)

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WILLIAMS: The Music Lesson (Review by Colin Anderson)

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WILLIAMS: The Night has Eyes (Review by Colin Anderson)

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WILLIAMS: The Old Clockmaker (Jennings at School) (Review by Colin Anderson)

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WILLIAMS: The Voice of London (Review by Colin Anderson)

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WILLIAMS: Throughout the Years (Review by Colin Anderson)

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WILLIAMS: Young Ballerina (The Potter’s Wheel) (Review by Colin Anderson)

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CHARLES WILLIAMS: Blue Devils (Review by Paul A. Snook)

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CHARLES WILLIAMS: Cross Country (Review by Paul A. Snook)

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CHARLES WILLIAMS: Cutty Sark (Review by Paul A. Snook)

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CHARLES WILLIAMS: Destruction by Fire (Review by Paul A. Snook)

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CHARLES WILLIAMS: Devil’s Galop (Dick Barton Special Agent) (Review by Paul A. Snook)

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CHARLES WILLIAMS: Girls in Grey (TV Newsreel) (Review by Paul A. Snook)

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CHARLES WILLIAMS: High Adventure (Friday Night is Music Night) (Review by Paul A. Snook)

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CHARLES WILLIAMS: Jealous Lover (The Apartment) (Review by Paul A. Snook)

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CHARLES WILLIAMS: Little Tyrolean (Review by Paul A. Snook)

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CHARLES WILLIAMS: London Fair (Review by Paul A. Snook)

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CHARLES WILLIAMS: Model Railway (Review by Paul A. Snook)

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CHARLES WILLIAMS: Nursery Clock (Review by Paul A. Snook)

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CHARLES WILLIAMS: Rhythm on Rails (Review by Paul A. Snook)

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CHARLES WILLIAMS: Sally Tries the Ballet (Review by Paul A. Snook)

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CHARLES WILLIAMS: Starlings (Review by Paul A. Snook)

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CHARLES WILLIAMS: The Bells of St Clements (Review by Paul A. Snook)

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CHARLES WILLIAMS: The Dream of Olwen (Review by Paul A. Snook)

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CHARLES WILLIAMS: The Humming Top (Review by Paul A. Snook)

Ens or O 

CHARLES WILLIAMS: The Music Lesson (Review by Paul A. Snook)

Ens or O 

CHARLES WILLIAMS: The Night has Eyes (Review by Paul A. Snook)

Ens or O 

CHARLES WILLIAMS: The Old Clockmaker (Jennings at School) (Review by Paul A. Snook)

Ens or O 

CHARLES WILLIAMS: The Voice of London (Review by Paul A. Snook)

Ens or O 

CHARLES WILLIAMS: Throughout the Years (Review by Paul A. Snook)

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CHARLES WILLIAMS: Young Ballerina (The Potter’s Wheel) (Review by Paul A. Snook)

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WOOD: Violin Concerto in a (Review by Paul A. Snook)

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WOOD: Violin Concerto in b (Review by Paul A. Snook)

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WOOD: Violin Concerto (Review by Michael Carter)

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