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Performer: Slovak RSO

CHIHARA, GERSHWIN-CHIHARA: (Review by David DeBoor Canfield)

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DOUBLE CONCERTOS FOR VIOLIN AND CLARINET: (Review by William Zagorski)

want list ensemble 

TRUMPET PANOPLY: (Review by Jerry Dubins)

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WILLIAM THOMAS MCKINLEY, HOMANS: (Review by William Zagorski)

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ACTOR: Dance Rhapsody. Horn Concerto. Opening Remarks. Celebration Overture (Review by Ronald E. Grames)

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ACTOR: Prelude to a Tragedy. Redwood Fanfare (Review by John Story)

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ACTOR: Prelude to a Tragedy. Redwood Fanfare (Review by Peter J. Rabinowitz)

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ACTOR: Symphony No. 1. Variations and Fugue for Orchestra (Review by John Story)

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ACTOR: Symphony No. 1. Variations and Fugue for Orchestra (Review by Peter J. Rabinowitz)

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ADAM: Giselle (Review by Joel Kasow)

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ALTHANS: Valse excentrique (Review by Martin Anderson)

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AMRHEIN: Event Horizon (Review by William Zagorski)

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AMRHEIN: Hamilton Street Concerto (Review by William Zagorski)

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AMRHEIN: Missa humanis (Review by William Zagorski)

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J. H. ASHTON: Fairmont Overture (Review by Lawrence A. Johnson)

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AURIC: Complainte d’Eurydice. Les Parents terribles. Thomas l’Imposteur (Review by Martin Anderson)

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AURIC: Orphée (Review by Martin Anderson)

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AURIC: Ruy Blas (Review by Martin Anderson)

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AURIC: Suite (Review by Martin Anderson)

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BACH: Fantasia chromatica (Review by Michael Fine)

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W. F. BACH: Sonata in c (Review by Michael Fine)

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BARKER NELSON: Hodeeyaada (Review by James H. North)

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BARNES: Elegy (Review by Colin Clarke)

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BARNES: Intrada for Brass and Percussion (Review by Elliott S. Hurwitt)

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BARTOW: Concerto for Harpsichord and Chamber Orchestra (Review by Martin Anderson)

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BARTOW: Concerto for Harpsichord and Chamber Orchestra (Review by William Zagorski)

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BARTOW: Mass of the Bells (Review by Martin Anderson)

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BARTOW: Mass of the Bells (Review by Paul A. Snook)

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BARTOW: Mass of the Bells (Review by William Zagorski)

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BARTOW: Summershadow (Review by Martin Anderson)

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BARTOW: Summershadow (Review by William Zagorski)

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BARTOW: Summershadow. Concerto for Harpsichord and Chamber Orchestra (Review by Paul A. Snook)

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BARTOW: Symphonic Dances. The King of Love My Shepherd Is (Review by Martin Anderson)

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BARTOW: Symphonic Dances. The King of Love My Shepherd Is (Review by Paul A. Snook)

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BARTOW: Symphonic Dances. The King of Love My Shepherd Is (Review by William Zagorski)

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BAUMAN: Adagio for Orchestra (Review by Lawrence A. Johnson)

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BAYER: Sun and Earth (Review by David L. Kirk)

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BAYER: The Fairy Doll (Review by David L. Kirk)

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BÉRIOT: Violin Concertos (Review by Jerry Dubins)

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BÉRIOT: Violin Concertos (Review by Robert Maxham)

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BERK: Rx for3ř (Review by Robert McColley)

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BERKY: Frozen Vibrations. Baroqueisms of Pleasure (Review by Elliott S. Hurwitt)

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BESTOR: Overture to a Romantic Comedy. Variations for Orchestra. In Memoriam Bill Evans. Chaconne for Chamber Winds. Three Portraits for Wind Octet (Review by Paul A. Snook)

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BIZET: Carmen (Review by Bob Rose)

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BLACK: Underground Judges (Review by William Zagorski)

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BLOCH: 2 Poems (Review by Jerry Dubins)

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BLOCH: Concerto Grosso No. 1 (Review by Peter J. Rabinowitz)

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BLOCH: Israel (Review by Walter Simmons)

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BLOCH: Suite for Viola and Orchestra (Review by Walter Simmons)

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BLOCK: Shadows (Review by William Zagorski)

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BLOCK: Shadows (Review by John Story)

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BOTTESINI: Duetto (Review by Richard A. Kaplan)

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BRISMAN: Concerto for Piano and Strings (Review by Richard Burke)

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BRISMAN: Profiles. Sinfonia breve. Andante sostenuto. Cassandra’s Muse (Review by Lynn René Bayley)

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BRISMAN: Profiles. Sinfonia breve. Andante sostenuto. Cassandra’s Muse (Review by William Zagorski)

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BROWN: Piano Concerto (Review by William Zagorski)

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BROWN: Piano Concerto (Review by John Story)

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BULLEN: Elegy Eroica' (Review by Joanne Forman)

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BULLEN: Elegy Eroica' (Review by James H. North)

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BURWASSER: A Well-Traveled Road (Review by Richard Burke)

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CARBON: Endangered Species (Review by Paul A. Snook)

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CIPULLO: Sparkler (Review by Elliott S. Hurwitt)

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E COATES: 4 Ways—Suite (Review by Paul A. Snook)

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E COATES: 8th Army March. Lazy Night. Last Love. High Flight—March (Review by Paul A. Snook)

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E COATES: Footlights—Waltz (Review by Paul A. Snook)

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E COATES: Sleepy Lagoon. Springtime Suite. Saxo Rhapsody (Review by Paul A. Snook)

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COHN: Miniatures (Review by David DeBoor Canfield)

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COHN: Symphonies Nos. 3, 4, and 8 (Review by David DeBoor Canfield)

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COHN: Symphonies (Review by William Zagorski)

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COHN: Symphonies (Review by William Zagorski)

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COHN: Variations on “The Wayfaring Stranger” (Review by William Zagorski)

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COHN: Waltz in D, op. 29a (Review by William Zagorski)

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J. COHN: Symphonies (Review by Jerry Dubins)

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J. COHN: Symphonies (Review by Jerry Dubins)

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J. COHN: Variations on “The Wayfaring Stranger” (Review by Jerry Dubins)

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J. COHN: Waltz in D (Review by Jerry Dubins)

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COLGRASS: Variations for 4 Drums and Viola (Review by Michael Fine)

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COLSON: Searching Schubert (Review by Robert Carl)

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CONSTANTINIDES: Concerto of Psalms (Review by William Zagorski)

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CONSTANTINIDES: Concerto of Psalms (Review by William Zagorski)

want list ensemble 

COOMAN: Fanfare for DGF (Review by Robert Carl)

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COOMAN: Piano Concerto No. 2, “Enchanted Tracings” (Review by Robert Carl)

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COOMAN: Trombone Concerto, “Remembering Tomorrow” (Review by Robert Carl)

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COOPER: Symphony in Two Movements (Review by William Zagorski)

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COPLAND: Clarinet Concerto (Review by Raymond Tuttle)

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COUNTRYMAN: Concerto for Marimba and Orchestra (Review by Robert McColley)

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CROWELL: Black Holes and Antimatters' (Review by Richard Burke)

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CROWELL: Black Holes and Antimatters' (Review by Richard Burke)

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CUNNINGHAM: Diaphony (Review by Colin Clarke)

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CUNNINGHAM: Kaleidoscope (Review by Colin Clarke)

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CUNNINGHAM: Venus and Adonis (Review by Colin Clarke)

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CUNNINGHAM: Violin Concerto (Review by Colin Clarke)

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DEBUSSY: Prémiere rhapsodie (Review by Richard A. Kaplan)

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DIEHL: On Wisdom. Prosper the Word (Review by Robert McColley)

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DIEHL: Right of Way (Review by William Zagorski)

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DIEHL: Right of Way (Review by John Story)

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DIX: Three Movements for Orchestra (Review by William Zagorski)

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DUSEK: Leviathan^ (Review by Elliott S. Hurwitt)

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DVOŘÁK: Czech Suite in d, op. 39 (Review by James H. North)

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DVOŘÁK: Symphony No. 9, “From the New World” (Review by James H. North)

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ELKANA: A Color in Time' (Review by Richard Burke)

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ELKANA: A Color in Time' (Review by Richard Burke)

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ELLISON: Henry V (Review by William Zagorski)

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ERICKSON: A Shipwrecked Landscape (Review by Richard Burke)

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ERNST: Crossover (Review by Robert Carl)

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EWAZEN: Concerto for Trumpet and Strings (Review by Phillip Scott)

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FEIST: Fog of Clusters (Review by Lawrence A. Johnson)

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FENNELLY: A Sprig of Andromeda (Review by James H. North)

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FENNELLY: Empirical Rag (Review by James H. North)

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FINZI: Eclogue, op. 10 (Review by Michael Fine)

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FLAGELLO: Sea Cliffs (Review by Adrian Corleonis)

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FLAGELLO: Sea Cliffs (Review by Paul A. Snook)

want list ensemble 

FLAGELLO: Sea Cliffs (Review by William Zagorski)

want list ensemble 

FLAGELLO: Sea Cliffs. The Pied Piper of Hamelin; Intermezzo (Review by William Zagorski)

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FLAGELLO: Symphony No. 1 (Review by Adrian Corleonis)

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FLAGELLO: Symphony No. 1 (Review by William Zagorski)

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FLAGELLO: Symphony No. 1 (Review by Paul A. Snook)

want list ensemble 

FLAGELLO: Symphony No. 1 (Review by William Zagorski)

want list ensemble 

FLAGELLO: The Pied Piper of Hamelin (Review by Adrian Corleonis)

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FLAGELLO: The Pied Piper of Hamelin (Review by William Zagorski)

want list ensemble 

FLAGELLO: The Piper of Hamelin (Review by Paul A. Snook)

want list ensemble 

FLAGELLO: Theme, Variations, and Fugue (Review by Adrian Corleonis)

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FLAGELLO: Theme, Variations, and Fugue (Review by William Zagorski)

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FLAGELLO: Theme, Variations, and Fugue (Review by Paul A. Snook)

want list ensemble 

FLAGELLO: Theme, Variations, and Fugue (Review by William Zagorski)

want list ensemble 

FOERSTER: Festive Overture (Review by Arthur Lintgen)

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FOERSTER: Mé mládí (“My Youth”) (Review by Arthur Lintgen)

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FOERSTER: Symphony No. 4, “Easter Eve” (Review by Arthur Lintgen)

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FROMM: Pioneers (Halutzim) (Review by Jerry Dubins)

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FUGARINO: Riding on a Cloud (Review by Richard Burke)

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FUGARINO: Riding on a Cloud (Review by Richard Burke)

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GASS: Midday Above Heiligenblut (Review by Elliott S. Hurwitt)

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GERSHWIN: Piano Concerto in F (Review by Michael Ullman)

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GERSHWIN: Second Rhapsody. Rhapsody in Blue (Review by Michael Ullman)

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GERSHWIN: “I Got Rhythm” Variations (Review by Michael Ullman)

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GIANNINI: Psalm 130 (Review by Paul A. Snook)

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GIDEON: Symphonia Brevis (Review by William Zagorski)

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GIORDANO: Fedora (Review by Bob Rose)

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GIUSTO: Peace Cow (it's not a habit, I'm used to it) (Review by Richard Burke)

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GIUSTO: Peace Cow (it's not a habit, I'm used to it) (Review by Richard Burke)

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GLAZUNOV: Concertos for Piano and Orchestra (Review by Paul A. Snook)

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GOLDENBERG: Landscapes (Review by William Zagorski)

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GOMPPER: Spirals (Review by Colin Clarke)

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GOOCH: CLockwork (Review by Lawrence A. Johnson)

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GOODMAN: Montségur Suite (Review by Peter Burwasser)

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GRAINGER: Danish Folk-Song Suite. Colonial Song. Country Gardens (arr. Schmidt) (Review by Peter J. Rabinowitz)

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GRAINGER: Green Bushes. Ye Banks and Braes o’ Bonnie Doon. Shepherd’s Hey. My Robin Is to the Greenwood Gone. To a Nordic Princess (Review by Peter J. Rabinowitz)

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GRAINGER: Irish Tune from County Deny (first version) (Review by Peter J. Rabinowitz)

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GRAINGER: Orchestral Music (Review by Peter J. Rabinowitz)

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HAI: M O Symphony for Strings (Review by William Zagorski)

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HALMO: Symphony for Strings (Review by John Story)

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HAMPTON: Three Minute Waltz (Review by William Zagorski)

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HARBACH: One of Ours (Review by Colin Clarke)

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HARBACH: One of Ours (Review by David DeBoor Canfield)

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HARBACH: One of Ours (Review by Colin Clarke)

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HARBACH: One of Ours (Review by Maria Nockin)

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HARBACH: Rhapsody Jardine (Review by Colin Clarke)

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HARBACH: Rhapsody Jardine (Review by David DeBoor Canfield)

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HARBACH: Rhapsody Jardine (Review by Colin Clarke)

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HARBACH: Rhapsody Jardine (Review by Maria Nockin)

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HARBACH: Veneration. Frontier Fancies. Arcadian Reverie (Review by Colin Clarke)

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HARBACH: Veneration. Frontier Fancies. Arcadian Reverie (Review by David DeBoor Canfield)

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HARBACH: Veneration. Frontier Fancies. Arcadian Reverie (Review by Colin Clarke)

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HARBACH: Veneration. Frontier Fancies. Arcadian Reverie (Review by Maria Nockin)

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HARTLEY: Psalm for Strings (Review by William Zagorski)

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HAWTHORNE: Night (Review by Joanne Forman)

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HAWTHORNE: Night (Review by James H. North)

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HERRMANN: Jane Eyre (Review by Arthur Lintgen)

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HESSENBERG: Concerto for Orchestra No. 1. Symphony No. 2 (Review by Paul A. Snook)

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HESSENBERG: Symphony No. 2. Concerto for Orchestra No. 1 (Review by David Denton)

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HICKS: The African-American Symphony (Review by Elliott S. Hurwitt)

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HOIBY: Concerto No. 2 for Piano and Orchestra. Sonata for Violin and Piano. Narrative. Schubert Variations (Review by Walter Simmons)

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HOIBY: Concerto No. 2 for Piano and Orchestra. Sonata for Violin and Piano. Narrative. Schubert Variations (Review by Joanne Forman)

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HOJNACKI: New Orleans March (Review by William Zagorski)

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HOOSE: Gestures and Intimations (Review by Richard Burke)

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HOOSE: Gestures and Intimations (Review by Richard Burke)

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HOOVER: 2 Sketches'. Eleni (Review by William Zagorski)

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HOOVER: 2 Sketches'. Eleni (Review by William Zagorski)

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HUSA: Fresque. Reflections (Symphony No. 2). Music for Prague 1968 (Review by James H. North)

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IBERT: Don Quichotte (Review by Barry Brenesal)

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IBERT: Golgotha (Review by Barry Brenesal)

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IBERT: Macbeth (Review by Barry Brenesal)

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IERARDI: Symphonic Essay No. 1 (Review by William Zagorski)

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IPPOLITOV-IVANOV: Orchestral Works (Review by Ron McDonald)

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IPPOLITOV-IVANOV: Yar-khmel', Spring Overture, op. 1. Symphonic Scherzo, op. 2. Three Musical Tableaux from Ossian, op. 56. Jubilee March. Armenian Rhapsody on National Themes, op. 48^. An Episode from the Ute of Schubert, op. 61* (Review by Ron McDonald)

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JACOBI: 2 Pieces in Sabbath Mood (Review by Jerry Dubins)

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JOHNSON: Oboe Concerto (Review by Phillip Scott)

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JOHNSON/GREY: Mofro’n’mo (Review by Phillip Scott)

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KESSLER: Alberto Concerto (Review by Martin Anderson)

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KIDDE: Quest (Review by Robert Carl)

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KOBAYASHI: Concerto No. 1 for Violin and Orchestra (Review by Scott Wheeler)

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KONDO: Waltz (Review by William Zagorski)

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KOYKKAR: Composite (Review by William Zagorski)

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LAVENDA: Look, See (Review by Lawrence A. Johnson)

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LECLAIR: Haikus (Review by Martin Anderson)

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LEONCAVALLO: / pagliacci (Review by Bob Rose)

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LEVY: Symphony No. 4 (“Structures of the Mind“)- (Review by Joanne Forman)

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LEWIS: Etesian Zephyrs (Review by Lawrence A. Johnson)

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LOCKLAIR: Harp Concerto (Review by Phillip Scott)

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LOCKLAIR: Lairs of Soundings (Review by Phillip Scott)

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LOCKLAIR: Phoenix and Again. In Memory—H. H. L (Review by Phillip Scott)

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LOCKLAIR: Symphony No. 1, “Symphony of Seasons” (Review by Phillip Scott)

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MARTINŮ: Concerto for Harpsichord and Small Orchestra, H. 246. Concertos for Piano and Orchestra (Review by Benjamin Pernick)

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MARTINŮ: Divertimento (Serenade No. 4). Rhapsody-Concerto for Viola and Orchestra (Review by Scott Wheeler)

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MASCARI: Hymnody No. 3 (Review by William Zagorski)

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MASCARI: Mount Washington—Symphonic Poem (Review by Joanne Forman)

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MASCARI: Mount Washington—Symphonic Poem (Review by James H. North)

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MAYERL: Marigold. A Lily Pond. Four Aces Suite. From a Spanish Lattice. Minuet by Candlelight. Aquarium Suite. Autumn Crocus. Bats in the Belfry. Pastoral Sketches. Fireside Fusiliers. Parade of the Sandwich-Board Men. Waltz For a Lonely Heart. Busybody (Review by Paul A. Snook)

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MCCARTHY: Towers (Review by Phillip Scott)

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WILLIAM THOMAS MCKINLEY: (Review by William Zagorski)

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WILLIAM THOMAS MCKINLEY: Andante and Scherzo (Review by Martin Anderson)

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WILLIAM THOMAS MCKINLEY: Concerto Domestica (Review by William Zagorski)

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WILLIAM THOMAS MCKINLEY: Fantasia Variazioni (Review by Richard Burke)

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WILLIAM THOMAS MCKINLEY: Freedom Dreams (Review by William Zagorski)

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WILLIAM THOMAS MCKINLEY: Passacaglia, Variations, and Finale (Review by Paul A. Snook)

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WILLIAM THOMAS MCKINLEY: Sinfonova (Review by William Zagorski)

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WILLIAM THOMAS MCKINLEY: Symphony No. 4. Concerto No. 3 for Piano and Orchestral. Three Poems of Pablo Neruda* (Review by Robert McColley)

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MELLONI: Piano Symphony (Review by Stephen Ellis)

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MOLNÁR: Hyacinths (Review by Lawrence A. Johnson)

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MOSONYI: Concerto in E Minor for Piano and Orchestra^. Symphony in D (Review by David Johnson)

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MOYER: Adagio (Review by William Zagorski)

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MOYZES: Symphonies (Review by Paul A. Snook)

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MOYZES: Symphonies (Review by Paul A. Snook)

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MOZART: Clarinet Concerto (Review by Raymond Tuttle)

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MUNCY: Paean (Review by Robert Carl)

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NAEGER: Storm Clouds (Review by William Zagorski)

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NELSON: Hodeeyaada (Review by Joanne Forman)

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NELSON: Song of the Goddesses (Review by Peter Burwasser)

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NELSON: TheMedead (Review by Richard Burke)

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NIBLOCK: Concerto for Violin and Clarinet (Review by William Zagorski)

want list ensemble 

NIELSEN: Clarinet Concerto (Review by Raymond Tuttle)

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NIELSON: Crosscurrents on the Vertical River (Review by William Zagorski)

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NIELSON: Crosscurrents on the Vertical river (Review by John Story)

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NYTCH: Novas' (Review by Richard Burke)

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NYTCH: Novas' (Review by Richard Burke)

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OLMSTEAD: Night Fishing (Review by William Zagorski)

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PACKALES: I Was on the Sea (Review by Joanne Forman)

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PAKHMUTOVA: Trumpet Concerto (Review by Phillip Scott)

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PAYNE: Desertscapes (Review by Robert McColley)

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PERLONGO: Concerto for Piano and Orchestra (Review by Stephen Ellis)

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PIZER: Elegy in Amber (Review by Robert McColley)

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PLOG: Trumpet Concerto No. 2 (Review by Phillip Scott)

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POLAY: Cathedral Images (Review by Joanne Forman)

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POLAY: Cathedral Images' (Review by James H. North)

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PUCCINI: Tosca (Review by Bob Rose)

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GOOLKASIAN RAHBEE: Tapestry No. 1 (“Proclamation“) (Review by Martin Anderson)

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RANDOLPH: Exordium (Review by Lawrence A. Johnson)

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RATHAUS: Polonaise symphonique, op. 52 (Review by Paul A. Snook)

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RATHAUS: Serenade for Orchestra, op. 35 (Review by Paul A. Snook)

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RATHAUS: Suite for Orchestra, op. 27 (Review by Paul A. Snook)

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RATHAUS: Suite for Orchestra, op. 29 (Review by Paul A. Snook)

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RATHAUS: Suite for Violin and Orchestra, op. 27 (Review by Paul A. Snook)

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RENDLEMAN: Chorale and Toccata for Strings (Review by Martin Anderson)

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RENZ: Symphonic Poem (Review by William Zagorski)

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RESPIGHI: 4 lirichi su poesie popolari armene (Review by Ronald E. Grames)

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RESPIGHI: Concerto Gregoriano for Violin and Orchestra. Autumn Poem, for Violin and Orchestra. Three Botticelli Pictures (Review by Paul A. Snook)

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RESPIGHI: Concerto in A Minor for Piano and Orchestra. Toccata for Piano and Orchestra. Fantasia Slava for Piano and Orchestra (Review by Peter J. Rabinowitz)

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RESPIGHI: Concerto in modo misolidio (Review by Ian Lace)

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RESPIGHI: La pentola magica (Review by Ronald E. Grames)

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RESPIGHI: La primavera (orch. Adriano) (Review by Ronald E. Grames)

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ROSS: Concerto for Piano and Orchestra (“Mosaics“) (Review by Stephen Ellis)

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ROSS: Piano Concerto, “Mosaics” (Review by Jerry Dubins)

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RÓZSA: Spellbound (Review by Arthur Lintgen)

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RUBINSTEIN: Concerto No. 5 in E♭ for Piano and Orchestra, op. 94. Caprice russe, op. 102 (Review by David Johnson)

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RUBINSTEIN: Symphony No. 3 in A, op. 56. Eroica Fantasia, op. 110 (Review by David Johnson)

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RUDENSTEIN: Blues for New Orleans (Review by William Zagorski)

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SCARMOLIN: 3 Miniatures. 3 Preludes (orch. Sichel) (Review by Lawrence A. Johnson)

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SCARMOLIN: Overture on a Street Vendor’s Ditty. Night. Whispers of Love (orch. Sichel) (Review by William Zagorski)

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SCARMOLIN: Sinfonietta for Strings (Review by William Zagorski)

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SCARMOLIN: Symphonies (Review by Richard Burke)

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SCARMOLIN: The Caliph (Review by Lawrence A. Johnson)

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SCARMOLIN: The Sunlit Pool. Invocation (Review by Lawrence A. Johnson)

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SCARMOLIN: Una lotta col destino (orch. Sichel) (Review by William Zagorski)

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SCARMOLIN: Upon Looking at an Old Harpsichord (Review by William Zagorski)

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SCARMOLIN: Variations on a Folk Song for String Orchestra. Arioso for String Orchestra. Concert Piece for Trumpet and Strings. Prelude (Review by Lawrence A. Johnson)

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SCHREINER: Symphonic Journey (Review by William Zagorski)

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SCHWARZ: Rosa’s Rhapsody (Review by Paul A. Snook)

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SCHWARZ: Rosa’s Rhapsody (Review by Stephen Ellis)

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SHAFFER: Boats and Candles (Review by Robert McColley)

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SHARPLEY: Sojourn (Review by Elliott S. Hurwitt)

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SHEA: Wyoming (Review by William Zagorski)

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SINGER: Recollections of City Island. Sweet Stacy Suite. Tribute to Raoul Wallenberg (Review by John Story)

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SKUPINSKY: Wild N'Sexy (Review by Robert Carl)

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SLÁDEK: Allegro (Review by William Zagorski)

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SLÁDEK: Chroma (Review by Paul A. Snook)

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SLÁDEK: Chroma (Review by Stephen Ellis)

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SLÁDEK: McKINLEY Patriotic Variations (Review by Paul A. Snook)

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SLÁDEK: McKINLEY Patriotic Variations (Review by Stephen Ellis)

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SLEEPER: Quartet for Piano and Strings (Review by Peter Burwasser)

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SPOHR: Concertos for Clarinet and Orchestra (Review by David Johnson)

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SPOHR: Concertos for Clarinet and Orchestra (Review by David Johnson)

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SPOHR: Concertos for Violin and Orchestra (Review by David Johnson)

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STANGO: Sol' per Dirti (Review by Martin Anderson)

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STEWART: Idyll (Review by Peter Burwasser)

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STONE: Adagio for String Orchestra and Oboe (Review by Elliott S. Hurwitt)

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STRANDBERG: Fiesta for Orchestra^ (Review by Elliott S. Hurwitt)

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TANN: From Afar (Review by Robert Carl)

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TANN: From Afar (Review by Lynn René Bayley)

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TANN: From the Feather to the Mountain. Here, the Cliffs (Review by Robert Carl)

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TANN: From the Feather to the Mountain. Here, the Cliffs (Review by Lynn René Bayley)

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TANN: With the Heather and Small Birds. In the First, Spinning Place (Review by Robert Carl)

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TANN: With the Heather and Small Birds. In the First, Spinning Place (Review by Lynn René Bayley)

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TCHAIKOVSKY: The Seasons (Review by Richard A. Kaplan)

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TEPPER: Concertino for Oboe and Strings (Review by Peter Burwasser)

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TOMLINSON: Comedy Overture. English Folk-Dances (Review by Paul A. Snook)

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TORELLO: Energetic Transformations (Review by Lawrence A. Johnson)

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VALI: Seven Persian Folk Songs (Set No. 7) (Review by Joanne Forman)

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VAUGHAN WILLIAMS: Suite for Viola and Orchestra (Review by Michael Fine)

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VERDI: Un ballo in maschera (Review by Bob Rose)

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VIENS: Les Insects dansants , ColorScope (Review by David Denton)

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VIENS: McKINLEY Dallas (Review by David Denton)

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VIENS: SinfoNova (Review by David Denton)

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VIEUXTEMPS: Fantasia appassionata. Ballade et Polonaise. Fantaisie Caprice. Greeting to America (Review by Robert Maxham)

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VIEUXTEMPS: Violin Concertos (Review by Robert Maxham)

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VILLA-LOBOS: Dança frenètica. Danças africanas. Dança dos mosquitos. Rudepoema (Review by Paul A. Snook)

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VILLA-LOBOS: Symphony No. 6 ( “Sobre a linha das montanhas do Brasil“). Ruda—Dio d'amore— Poema sinfonco e bailado (Review by Paul A. Snook)

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WAGNER: Tristan and Isolde (Review by Henry Fogel)

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WILLIAM WALLACE: Concerto for Clarinet, Violin, and Orchestra (Review by William Zagorski)

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WALLACH: 3 String Quartets (Review by John Story)

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WALLACH: 3 String Quartets (Review by John Story)

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WALLACH: Shadows, Sighs, and Songs of Longing (Review by John Story)

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WALLACH: Shadows, Sighs, and Songs of Longing (Review by John Story)

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WARSHAUER: Revelation (Review by William Zagorski)

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WARSHAUER: Shacharit. Like Streams in the Desert. Ahavah (Review by Jerry Dubins)

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WARSHAUER: Shacharit. Like Streams in the Desert. Ahavah (Review by William Zagorski)

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WAXMAN: Rebecca (Review by Raymond Tuttle)

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WEBB: Cat People. Bedlam. The 7th Victim. The Body Snatcher. I Walked with a Zombie (Review by Martin Anderson)

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WEBER: Clarinet Concertino. Clarinet Concerto No. 2 (Review by Richard A. Kaplan)

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WOLKING: Forests (Review by William Zagorski)

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H. WOOD: A May-Day Overture. Soliloquy. Variations on a Once Popular Humorous Song. Paris—Suite. Roses of Picardy—Song Intermezzo. A Manx Rhapsody. Frescoes—Suite (Review by Paul A. Snook)

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ZIFFRIN: Symphony for Voice and Orchestra (“Letters“)“ (Review by Robert Carl)

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